Critics Campus participant Erika Lay analyses Mast-del and Lotus-Eyed Girl – two short films that each use the body to interrogate how erotic desire and national identity alike can be constructed and subverted via the act of looking.

Critics Campus participant Đăng Tùng Bạch speaks to Phạm Thiên Ân about the making of his Caméra d’Or–winning film and the roles played by location, sound and time in his work.

Critics Campus participant Lauren Collee discusses the moral ambiguities and absolutes that emerge in Hirokazu Kore-eda’s tale of institutional malaise and tentative queer romance.

With MIFF 2023 proudly offering a suite of accessibility services and disability-focused stories, Arts Access Victoria’s Fiona Tuomy shares some top picks for the festival.

Critics Campus participant Indigo Bailey examines the unsettling and controversial combination of horror and sensuality in Claire Denis’s brutal, beguiling 2001 feature.

Yo Soy co-founders Ruby-Rose Pivet-Marsh and Jess Ibacache share their most anticipated picks from MIFF’s 2023 selection of Latin American films.

With MIFF 2023 upon us, some of Immigration Museum’s recent collaborators tell us what films they’re most excited about in this year’s festival.

With MIFF 2023 well and truly into its first week, the Liminal team tell us what films they’re keen to see at this year’s festival.

In the lead-up to the MIFF Ambassador Special Screening of The Bank, we speak to director Robert Connolly about the film’s continuing relevance and his longstanding relationship with MIFF.

In 2023, MIFF continues its commitment to offering a range of accessible services that facilitate all film lovers’ access to quality cinema experiences.