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Glitter Gore and Magical Madness: An Interview with Hannah Barlow

Critics Campus participant Lamya Nawar speaks to Hannah Barlow about self-awareness, self-forgiveness, and the power and perils of social media, as tackled in the pop-horror film Sissy.
By Lamya Nawar | 28 Aug 2022
Remembering the Radical: An Interview with John Hughes

Remembering the Radical: An Interview with John Hughes

Critics Campus participant Digby Houghton speaks to Senses of Cinema co-director John Hughes about subversion, collective filmmaking and historiography.
 Digby Houghton 27 Aug 2022
Down the Rabbit Hole: An Interview with Alena Lodkina

Down the Rabbit Hole: An Interview with Alena Lodkina

Critics Campus participant Andrew Fraser speaks to Petrol writer/director Alena Lodkina about creative synergies, cultural cringe and challenging audiences to watch films as co-creators.
 Andrew Fraser 26 Aug 2022
A Film That Talks: An Interview with Beck Cole

A Film That Talks: An Interview with Beck Cole

Critics Campus participant Lily Rodgers speaks to director Beck Cole about collaboration, revelation and transformative storytelling as embodied in the dynamic anthology We Are Still Here.
 Lily Rodgers 25 Aug 2022
Funny Pages – Four Ways

Funny Pages – Four Ways

Owen Kline’s coming-of-age black comedy Funny Pages gets the critical treatment from four of our 2022 Critics Campus participants: Andrew Fraser, Ellen O’Brien, Lamya Nawar and Brooke Heinz.
24 Aug 2022
Your Money, My Problem: Halina Reijn’s Bodies Bodies Bodies

Your Money, My Problem: Halina Reijn’s Bodies Bodies Bodies

Critics Campus participant Ellen O’Brien reflects on the entanglement of fascination, aspiration and alienation when watching screen portrayals of wealth, using Halina Reijn’s Bodies Bodies Bodies as her jumping-off point.
 Ellen O’Brien 23 Aug 2022
Sissy – Four Ways

Sissy – Four Ways

Hannah Barlow and Kane Senes’s Sissy receives some critical attention from four of our 2022 Critics Campus participants: Isabelle Carney, James Walsh, Digby Houghton and Lily Rodgers.
22 Aug 2022
Killed Off: The Ultimate Villain in Speak No Evil

Killed Off: The Ultimate Villain in Speak No Evil

Critics Campus participant Lamya Nawar dissects the inertia and contrivances – depicted and in delivery – at the heart of Christian Tafdrup’s Speak No Evil.
 Lamya Nawar 22 Aug 2022
Between Silly and Sincere: An Interview with Pat Mooney

Between Silly and Sincere: An Interview with Pat Mooney

Critics Campus participant Isabelle Carney speaks to Lime Parfait director Pat Mooney about intent, nostalgia and the ethics of the fib.
 Isabelle Carney 19 Aug 2022
Making Seats at the Table: An Interview with Kerry Warkia

Making Seats at the Table: An Interview with Kerry Warkia

Critics Campus participant Brooke Heinz speaks to producer Kerry Warkia about the importance of representation and collective creativity, as exemplified by the film Kaīnga and its predecessors Waru and Vai.
 Brooke Heinz 19 Aug 2022
Aftersun and the Great Unknown

Aftersun and the Great Unknown

Critics Campus participant Lily Rogers examines the calibrations of suggestion, subtlety and reticence in Charlotte Wells’s Aftersun.
 Lily Rodgers 18 Aug 2022
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