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Let the Sunshine In, Four Ways

Let the Sunshine is reviewed by four participants from the 2017 Critics Campus, providing a range of different takes on Claire Denis' latest.
By Alex | 12 Aug 2017
Pushing Boundaries: The Breakout Films from Pioneering Women

Pushing Boundaries: The Breakout Films from Pioneering Women

The Pioneering Women filmmakers of Australian cinema look into aspects of women’s experiences often ignored by their male counterparts, argues MIFF 2017 Critics Campus participant Faith Everard.
 Alex 11 Aug 2017
Alive and Radical: The Grey-Haired Girls of Top of the Lake: China Girl

Alive and Radical: The Grey-Haired Girls of Top of the Lake: China Girl

Jane Campion celebrates the spirit of women in their prime both on screen and in person with Top of the Lake: China Girl, writes 2017 Critics Campus participant Blythe Worthy.
 Alex 09 Aug 2017
Q&A with Locker Room Director Greta Nash

Q&A with Locker Room Director Greta Nash

Rowena Lloyd speaks with Greta Nash, director of the Accelerator short film Locker Room.
 Rowena Lloyd 02 Aug 2017
Why Pioneering Women?

Why Pioneering Women?

Pioneering Women co-curator Alexandra Heller-Nicholas takes us into the historical movement that created the foundations for many Australian women filmmakers today.
 Alexandra Heller-Nicholas 01 Aug 2017
A Brilliant Career: Gillian Armstrong’s Filmmaking reaches High Tide

A Brilliant Career: Gillian Armstrong’s Filmmaking reaches High Tide

Rowena Lloyd traces Gillian Armstrong's career, her feminist focus, and her drive to investigate the complexities of the lives of others.
 Rowena Lloyd 31 Jul 2017
Beyond Ambition: Nicole Kidman and Jane Campion’s journey toward Top of the Lake: China Girl

Beyond Ambition: Nicole Kidman and Jane Campion’s journey toward Top of the Lake: China Girl

MIFF 2017 Critics Campus participant Blythe Worthy traces the journey made by Nicole Kidman and Jane Campion to bring them both to Top of the Lake: China Girl
 Natalie 18 Jul 2017
Q&A with Naina Sen

Q&A with Naina Sen

The director of the MIFF Premiere Fund-supported documentary The Song Keepers speaks about the joy and privilege involved in making her film.
 MIFF Staff 14 Jul 2017
Q&A with Priscilla Cameron

Q&A with Priscilla Cameron

Priscilla Cameron, director of the MIFF Premiere Fund-supported film The Butterfly Tree, speaks about her process and the impact the film had on her personally.
 MIFF Staff 27 Jun 2017
Movements in the Desert: an Interview with Celia Rowlson-Hall

Movements in the Desert: an Interview with Celia Rowlson-Hall

Critics Campus 2016 participant Jessica Ellicott discusses virtuous women, the language of dance, and wanting to be Jesus with Ma director Celia Rowlson-Hall.
 Alice 13 Aug 2016
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