Revue

Critics Campus 2016 participants Aimee Knight, Tanya Farley, Isabella McNeill, and Ella Donald review Kleber Mendonça Filho’s Aquarius.

Critics Campus 2016 participant Isabella McNeill talks tragedy, trauma, and recovery with Newtown director Kim A Snyder.

Critics Campus 2016 participant Aimee Knight chats with Life, Animated director Roger Ross Williams about Disney, autism, and diversity.

Critics Campus 2016 participant Andréas Giannopoulos discusses humour, hummus and the Holocaust with Monsieur Mayonnaise filmmakers Trevor Graham and Philippe Mora.

Would you rather watch a documentary about an extraordinary historical event, or a fictionalised telling? Thanks to some fortuitous programming, this year’s MIFF allows both. Sort of.

In 1974, newsreader Christine Chubbuck committed suicide during a live broadcast. The shocking act (which famously inspired the film Network) is depicted in two distinct films at this year’s festival.

Christine, di

Critics Campus 2016 participant Tanya Farley grills director Abe Forsythe about his comedic skewering of the 2005 Cronulla riots, Down Under.

Posted by Hayley Inch

Everyone you know is a former famous film director who is having a crisis over their work, or has retreated into academia.

Everything you say, no matter how innocuous, is misunderstood by your companions, resulting in constant arguments.

You’re trying FAR too hard to impress a girl you’ve only just met.

You have friends you only do one activity with: drink soju. Speakin

Critics Campus 2016 participant Ella Donald talks to Rosemary Myers about Girl Asleep's journey from the theatre to celluloid.

Synchronous 360 Video Playback will enable audiences with no prior exposure to VR to experience this new technology as seamlessly as possible.

South Korean filmmaker Yeon Sang-ho has done something very unusual and potentially unique: he has made a live-action sequel to an animated film.