Director: Zhang Ke Jia
"Mr. Jia is working at the border where fiction and nonfiction meet, which is where this fantastically surreal country itself seems to exist." - New York Times
For six decades Factory 420 in Sichuan China has been more than just an aeronautics factory - it has been a self-contained town of its own, with living quarters, cinemas, sports facilities and even a school. Now it's being torn down to make way for an apartment complex called 24 City, and for the workers past and present it is the end of an era.
Comfortably marrying documentary and fiction, 24 City features real life interviews with workers from Factory 420 seamlessly entwined with the work of the actors.
Filmmaker Jia Zhang-ke's documentary Useless is also screening in this year's program.
D Jia Zhang-ke P Jia Zhang-ke, Shozo Ichiyama WS MK2
L Mandarin, Shanghainese w/English subtitles TD hdcam/2008/112mins
China, Japan, France, 2002
Platform (MIFF 01) is Jia Zhang-ke's ambitious follow-up to his highly successful debut, Pickpocket. Set over 1979 to 1989, it explores the tensions in expectations and world-views that emerge as Chi… More »
China, South Korea, France, Japan, 2002
Jia Zhang-ke's Unknown Pleasures depicts a trough of aimlessness. This third feature by Jia - in Official Competition at Cannes 2002 - again proves his ability to hold a light to China's alienated ru… More »
Festival guest Jia Zhang-ke arrived onto the international cinema scene with Pickpocket (1997), influenced most evidently by the work of Robert Bresson. Made well outside the state system, the film w… More »
The World is the first film of Jia Zhang-ke - MIFF filmmaker in focus - made with the tacit approval of the authorities. It is also his first film to be released in China. The World is set in World P… More »
Hong Kong/China, 2006
“I entered this condemned city [Fengjie] with my camera and I witnessed demolitions and explosions. In the roaring noise and fluttering dust, I gradually felt that life really could blossom in bril… More »