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Boogie Doodle

Canada, 1948 (MIFF 1954, New Ideas)

Director: Norman McLaren

One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to make a rhythmic, brightly coloured film experiment.

See also...

Pas de deux

Two of Canada's leading ballet dancers, Margaret Mercier and Vincent Warren, are clad in white and their pas de deux filmed against a black stage. For his 48th experimental film, Norman McLaren plays ... More »

Pas De Deux

McLaren employed a multi-image technique to film two ballet performets in this study in the grace of dance. It was filmed against a black backdrop with rear lighting oudining the white-clad dancers ... More »

Hen Hop

Geometric shapes build to the form of a hen. To the tune of old-time waltzes a hen, now a leghorn, then a Plymouth Rock, later a simple egg with feet, dances and reels. This McLaren-designed ... More »

Synchromy

In Synchromy, there is an absolute parallel between sound and image: what is seen on the screen at any moment is the image or images that are creating the sound. For the eye and ear of the viewer the ... More »

Mail Early

McLaren's first film for the NFB was this publicity clip for Canada Post. Non-abstract symbols drawn with pen on clear 35mm stock were superimposed on a painted background. ... More »

A Chairy Tale

Made without commentary or dialogue, this film is a simple ballet of a youth and a kitchen chair. The ensuing struggle, first for mastery and then for understanding forms the action of the film. The ... More »

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