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Boogie Doodle

Canada, 1948 (MIFF 1954, New Ideas)

Director: Norman McLaren

One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to make a rhythmic, brightly coloured film experiment.

See also...

Hen Hop

Geometric shapes build to the form of a hen. To the tune of old-time waltzes a hen, now a leghorn, then a Plymouth Rock, later a simple egg with feet, dances and reels. This McLaren-designed ... More »

Pas de deux

Two of Canada's leading ballet dancers, Margaret Mercier and Vincent Warren, are clad in white and their pas de deux filmed against a black stage. For his 48th experimental film, Norman McLaren plays ... More »

Spheres

Norman McLaren continues his investigations into the possibilities of animated film with his latest film. Spheres, his first film since Pas de deux, is set to music of Bach fugues. The illusion of ... More »

Neighbours

A parable in which McLaren uses people and natural backgrounds, as well as a few drawn ones, for the first time. Sound is drawn direct on to the film. ... More »

Opening Speech

Ostensibly, Norman McLaren intends to welcome the audience, but is frustrated by the microphone which exhibits surprising temper, reluctance and guile. ... More »

Short and Suite

The film is an expression of a mood, a heady recollection of an evening on the town rendered in rhythmic flights of light and colour. The alternation of the music's mood - gay or sad - is echoed by ... More »

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