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Boogie Doodle

Canada, 1948 (MIFF 1954, New Ideas)

Director: Norman McLaren

One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to make a rhythmic, brightly coloured film experiment.

See also...

A Chairy Tale

Made without commentary or dialogue, this film is a simple ballet of a youth and a kitchen chair. The ensuing struggle, first for mastery and then for understanding forms the action of the film. The ... More »

Short and Suite

The film is an expression of a mood, a heady recollection of an evening on the town rendered in rhythmic flights of light and colour. The alternation of the music's mood - gay or sad - is echoed by ... More »

Rhythmetic

Animation artists Norman McLaren and Evelyn Lambart endow the subject of arithmetic with lively humour as numerals indulge in unprecedented antics. Attention is focussed on what numerals do in ... More »

Mail Early

McLaren's first film for the NFB was this publicity clip for Canada Post. Non-abstract symbols drawn with pen on clear 35mm stock were superimposed on a painted background. ... More »

A Chairy Tale

McLaren used pixillation techniques in this comedic duel between a young boy and a kitchen chair. ... More »

Neighbours

A parable in which McLaren uses people and natural backgrounds, as well as a few drawn ones, for the first time. Sound is drawn direct on to the film. ... More »

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