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Boogie Doodle

Canada, 1948 (MIFF 1954, New Ideas)

Director: Norman McLaren

One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to make a rhythmic, brightly coloured film experiment.

See also...

V For Victory

A 'film poster' publicising a wartime government bond campaign, using the technique of drawing with pen and ink directly on 35mm film. ... More »

Canon

In the canon a melody begun by one voice or instrument is echoed by another, beginning one beat or several measures later than the one before. In this film, McLaren illustrates the principle of the ... More »

Hen Hop

Geometric shapes build to the form of a hen. To the tune of old-time waltzes a hen, now a leghorn, then a Plymouth Rock, later a simple egg with feet, dances and reels. This McLaren-designed ... More »

Blinkety Blank

Arabesque-like images flash upon the screen, then suddenly disappear. An impression remains in the viewer's eye, like the burning of a bright light after it has been extinguished. A work of pure ... More »

Synchromy

In Synchromy, there is an absolute parallel between sound and image: what is seen on the screen at any moment is the image or images that are creating the sound. For the eye and ear of the viewer the ... More »

Pas De Deux

McLaren employed a multi-image technique to film two ballet performets in this study in the grace of dance. It was filmed against a black backdrop with rear lighting oudining the white-clad dancers ... More »

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