Director: Norman McLaren
Animation artists Norman McLaren and Evelyn Lambart endow the subject of arithmetic with lively humour as numerals indulge in unprecedented antics. Attention is focussed on what numerals do in combination with and independently of one another. The screen becomes a numerical free-for-all as digits meet in playful encounter, jostling, attacking, eluding one another. Plus, minus and equation signs act as strict disciplinarians to ensure that every new development maintains a proper arithmetical balance. Synthetic sound punctuates the visuals, adding to the amusement of the film.
Premiered at Cannes Film Festival, The Best of Norman McLaren contains 11 of McLaren's most impressive, short, animated films - carefully restored by the National Film Board of Canada and transferred… More »
A short account of the work of Norman McLaren and some of his unusual techniques. ... More »
A surrealistic abstract with an unusual sound track consisting of synthetic sound in conjunction with music for saxophone. ... More »
A parable in which McLaren uses people and natural backgrounds, as well as a few drawn ones, for the first time. Sound is drawn direct on to the film. ... More »
One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to m… More »