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A Chairy Tale

Canada, 1957 (MIFF 1958, The Fresh Approach)

Director: Norman McLaren

Made without commentary or dialogue, this film is a simple ballet of a youth and a kitchen chair. The ensuing struggle, first for mastery and then for understanding forms the action of the film. The technique is a modified form of the "pixillation" animation formerly used in NcLaren's Neighbours.See also...

A Chairy Tale

McLaren used pixillation techniques in this comedic duel between a young boy and a kitchen chair. ... More »

Boogie Doodle

One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to ... More »

Serenal

Norman McLaren salutes the West Indies, etching and painting the spirit of fiesta - fireworks and all - in response to an Island tune. ... More »

Rhythmetic

Animation artists Norman McLaren and Evelyn Lambart endow the subject of arithmetic with lively humour as numerals indulge in unprecedented antics. Attention is focussed on what numerals do in ... More »

V For Victory

A 'film poster' publicising a wartime government bond campaign, using the technique of drawing with pen and ink directly on 35mm film. ... More »

Mail Early

McLaren's first film for the NFB was this publicity clip for Canada Post. Non-abstract symbols drawn with pen on clear 35mm stock were superimposed on a painted background. ... More »

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