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A Chairy Tale

Canada, 1957 (MIFF 1958, The Fresh Approach)

Director: Norman McLaren

Made without commentary or dialogue, this film is a simple ballet of a youth and a kitchen chair. The ensuing struggle, first for mastery and then for understanding forms the action of the film. The technique is a modified form of the "pixillation" animation formerly used in NcLaren's Neighbours.See also...

A Chairy Tale

McLaren used pixillation techniques in this comedic duel between a young boy and a kitchen chair. ... More »

Serenal

Norman McLaren salutes the West Indies, etching and painting the spirit of fiesta - fireworks and all - in response to an Island tune. ... More »

Ballet Adagio

After the brilliant cinematic experiment of Pas de Deux, Norman McLaren once again films dancers - this time slowing down their movements to a quarter of their speed in reality. The original ... More »

Narcissus

Norman McLaren's 59th film, which opened the 1983 World Film Festival in Montreal, is one of the most ambitious in his ... long career, which started in 1933. The film is based on the Greek myth of ... More »

Spheres

Norman McLaren continues his investigations into the possibilities of animated film with his latest film. Spheres, his first film since Pas de deux, is set to music of Bach fugues. The illusion of ... More »

Opening Speech

McLaren appears on a stage but cannot make his planned speech on account of a feisty, bad-tempered microphone that finally has him chasing it around the stage. Befitting a cartoon sketch, McLaren ... More »

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