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Serenal

Canada, 1959 (MIFF 1960, Programme 20)

Director: Norman McLaren

Norman McLaren salutes the West Indies, etching and painting the spirit of fiesta - fireworks and all - in response to an Island tune.

See also...

Short and Suite

The film is an expression of a mood, a heady recollection of an evening on the town rendered in rhythmic flights of light and colour. The alternation of the music's mood - gay or sad - is echoed by ... More »

Neighbours

A parable in which McLaren uses people and natural backgrounds, as well as a few drawn ones, for the first time. Sound is drawn direct on to the film. ... More »

Synchromy

In Synchromy, there is an absolute parallel between sound and image: what is seen on the screen at any moment is the image or images that are creating the sound. For the eye and ear of the viewer the ... More »

Neighbours

Possibly McLaren's best known film, it is a film without words to show the futility of violence for settling quarrels. This Cold War parable depicts two neighbours who tolerate each other until a ... More »

Spheres

Norman McLaren continues his investigations into the possibilities of animated film with his latest film. Spheres, his first film since Pas de deux, is set to music of Bach fugues. The illusion of ... More »

Pas de deux

Two of Canada's leading ballet dancers, Margaret Mercier and Vincent Warren, are clad in white and their pas de deux filmed against a black stage. For his 48th experimental film, Norman McLaren plays ... More »

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