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THE YOUNG ONE

Mexico, 1960 (MIFF 1961, Programme 16)

Director: Luis Buñuel

Bunuel used an island off the coast of one of the southern states to make this film about a Negro on the run - a story of innocence and corruption.

The film's simple plot transcends its one locale and five characters, to emerge as a human tale of people in a crisis. Scott is a game-warden on the island and lives alone with a thirteen-year-old girl, whose grandfather - his handyman - has just died. When the story begins a Negro lands on the island, fleeing from the mainland where he has been accused of rape of a white woman.

Its incisive, frank treatment of the Negro and the bigotted whites, and the relations between the girl and an older man, are explosive themes. But they are handled with an understanding which makes the film an important human document. The playing (including Scott's) is wooden at times and the dialogue veers between the naturalistic and the stilted. These handicaps detract from the film's effectiveness. Yet the straight forward presentation, reminiscent of Bunuel's other island him, Robinson Crusoe, the translucence of the style, the absolute denial of effect, give The Young One the forcefulnessof a parable. . ."No one else would dare to be so unassuming: no one else could make 'art' seem so unnecessary."

The Young One was awarded a Special Prize for direction at the 1960 Cannes Film Festival.

See also...

THE CRIMINAL LIFE OF ARCHIBALDO DE LA CRUZ

In The Criminal Life of Archibaldo de la Cruz., Mexico's great director, Luis Bunuel, continued his investigation of psycho-sexual aberrations and false moral values — a remarkable comedie ... More »

SIMON OF THE DESERT

Short, sharp and astounding, this film provides a teasing bridge between the Old Testament Buñuel (Viridiana) and the New (The Discreet Charm of the Bourgeoisie). Simon of the Desert concerns ... More »

THE EXTERMINATING ANGEL

Guests arrive at an elegant dinner party to find that the servants have mysteriously disappeared. At the end of the party all the guests find excuses not to leave. It soon becomes clear that none of ... More »

NAZARIN

Luis Bunuel's film is a kind of summary of his style and his ideas. It is a truly great film. John Huston called it a masterpiece on the level of Bicycle Thieves, Bardem declares that its final scene ... More »

LOS OLVIDADOS

Los Olvidados (meaning the forgotten ones) was made in Mexico City slums with mostly non¬professional young actors whose talents lie in their simplicity, their obedience to brilliant direction ... More »

VIRIDIANA

Viridiana, a young nun full of charity, kindness and idealistic illusions about humanity, visits her rich uncle on the eve of her ordination. She stays and tries to help some local peasants and ... More »

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