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Opening Speech

Canada, 1960 (MIFF 1962)

Director: Norman McLaren

Ostensibly, Norman McLaren intends to welcome the audience, but is frustrated by the microphone which exhibits surprising temper, reluctance and guile.

See also...

Lines Vertical - Lines Horizontal

Lines in pure design — an attempt by Norman McLaren to create art interesting pattern entirely from straight lines engraved directly on plain black film. ... The effect in is of decorous ballet ... More »

Opening Speech

McLaren appears on a stage but cannot make his planned speech on account of a feisty, bad-tempered microphone that finally has him chasing it around the stage. Befitting a cartoon sketch, McLaren ... More »

Pas De Deux

McLaren employed a multi-image technique to film two ballet performets in this study in the grace of dance. It was filmed against a black backdrop with rear lighting oudining the white-clad dancers ... More »

Hen Hop

Geometric shapes build to the form of a hen. To the tune of old-time waltzes a hen, now a leghorn, then a Plymouth Rock, later a simple egg with feet, dances and reels. This McLaren-designed ... More »

Short and Suite

The film is an expression of a mood, a heady recollection of an evening on the town rendered in rhythmic flights of light and colour. The alternation of the music's mood - gay or sad - is echoed by ... More »

Neighbours

Possibly McLaren's best known film, it is a film without words to show the futility of violence for settling quarrels. This Cold War parable depicts two neighbours who tolerate each other until a ... More »

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