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DESCRIPTION OF A STRUGGLE

France / Israel, 1961 (MIFF 1962)

Director: Chris Marker

Winner of the Golden Bear for the best long documentary film at the Berlin Film Festival, Chris Marker's film has been acclaimed both in France and Israel: "The best documentary on Israel, ever, and one that truly represents our life"; "The first serious film about Israel . . . everything shows the country excitingly, lyrically and with humour"— these reviews from Israeli magazines attest to the film's honesty of content.

In its twelve years of existence, the new state of Israel has been involved in many struggles. There was the pre-independence struggle of the mandate days; the struggle to defend themselves in the days of the Arab war; the internal strains between European Jews and Yemeni Jews, between the orthodox and the progressively modern; there was the struggle of Suez; but, above all there was, and still is, the struggle to produce enough wealth from the land to support a population of three millions. The film touches on something of each of these struggles, taking us from the Mediterranean to the Dead Sea, from modern Haifa to the desolate wilderness of the Cities of the Plain. The film is as diverse in its treatment as its subject is large.

See also...

THE LAST BOLSHEVIK

The Last Bolshevik opens with the contention that it is not the literal past that hold us in thrall, but the images of that past. ... An intelligent and inspiring filmmaker, Chris Marker (Sans ... More »

Le mystère Koumiko

Chris Marker whose films, Description of a Struggle, Le joli Mai and La jetee, have been shown at previous Festivals, went to Japan to film the Olympic Games. But there he discovered, working for a ... More »

SUNLESS

A freelance cameraman travels around the world and wonders about the role of the images he creates. These images,as manifestations of his memories, are being commented upon by a woman friend, who ... More »

LEVEL 5

In his new film, Chris Marker continues to explore the ways in which new technologies can inform our comprehension of traumatic his­torical events. Like his earlier film Sans Solei,. Level Five ... More »

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