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USA, 1957 (MIFF 1962, Experimental)

Director: Jane Conger

An experiment in colour, design and space, the film combines visuals and electronic music to produce optical illusions and a distortion of time perception.

See also...

Celery Stalks at Midnight

A spontaneous abstract composition intended to represent the joining in, on a music session, of one more instrument. ... More »

D

'D' consists of a sequence of still photographs and drawings that have been rotsocoped. The photographs are from a trip across the Manhattan Bridge to Brooklyn on the D train. ... More »

September 5:10pm

A powerful and innovative diary film, tracing, with delicate irony, the emotional aftermath of tragedy. The narrator is an answering machine. Pain, expressed through sympathy, is juxtaposed against ... More »

Work In Progress

Experimental essay film exploring the notion of the "alien" in relation to U.S. immigration policies toward Mexican and Hispanic peoples. Archival footage, computer generated effects, animation ... More »

“27”

It can be argued that experimental cinema has always been 'queer'. But now. Queer Cinema is stirring things up in a new way-in revolt; a calcuiated, cunning, vulgar modernism. The vulgar classism ... More »

Indian Summer

On December 1, 2001 it was 66 degrees (19 Celsius) in NYC: an Indian Summer that comes to an icy end. Dobbe carefully builds up the days contemplative mood with a classic filmic eye for detail ... More »

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