Skip to main content

ALL IS LEFT TO THE PEOPLE

USSR, 1963 (MIFF 1964)

Director: Georgy Natanson

Ageing, gravely ill, physicist Dronov is engaged in the development of a space engine, when his doctor orders htm to stop working. He hands over the direction of his experiments to his favourite pupil, Vyazmin, who, however, hasn't the stature to cope with the irresponsible egotism of the director of the laboratory. When accidents occur, they are glossed over to keep the research establishment's reputation intact. Vyazmin — in love with scientist Rumantseva, who, in turn, admires and loves Dronov — gets into serious trouble when the accidents are discovered and it is disclosed thai he helped in their covering up. Dronov has to come out of retirement to restore order and put the continuation of his research plans into safe hands.

The film is derived from a successful stage play based on the figure of a famous scientist, and in both cases Tcherkasov played the leading role. In modern guise, Tcherkasov brings splendid authority to the portrait of the humane and completely engaged scientist, infuses his role with warmth and a continuous sparkle of humour.

All the other roles are well acted and the direction is wholesome along classical Russian lines. The interest of the film is greatly enhanced by the script in which hitherto untouched and delicate subjects are handled with tact and lack of overemphasis; for the first time we sec a filmed admission that things can go wrong even in Soviet atomic research. There is an authentic and detailed presentation of the household of an eminent Russian scientist, complete with jealous wife, circle of friends, servant etc. A discussion between Dronov and his brother-in-law, who is a priest, lacks all elements of the sort of caricature which characterised the por­trayal of the clergy in earlier Soviet films, and even though the physicist wins the argument, the figure of the priest is treated with respect.

Perhaps the most effective scene of the film is Tcherkasov's last speech, full of fire and idealism, yet utterly underplayed. Tcherkasov gives us a completely convincing figure of the great dying scientist. The old lion hasn't lost any of his skill.

See also...

Marriage

A young man is madly in love with a girl. He daydreams of marrying her, but alas, she marries another. ... Grand Prix, Youth Section, Cannes Festival. ... More »

HEAT

Anarhai, in Kirghizia, the burning hot steppeland covered with prickly scrub, is silent and unpeopIed except for a single yurta rising in the even desert, and black dots of tractors, moving back and ... More »

FROM RUSSIA WITH ROCK

... ... From Russia with Rock is the first overview of the Soviet rock scene, and in particular its unofficial representatives. In December 1987, a seven-day rock festival was staged in Moscow, the ... More »

Icarus and the Philosophers

Icarus said, I can fly. The philosophers were not impressed. ... More »

THAT SWEET WORD LIBERTY

This film won the Grand Prize at the Moscow Festival last year. It is a modern political thriller based on actual recent events in Venezuela. Three communist senators are arrested and held in prison ... More »

Select a festival
Search The Film Archive
Browse By Director