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Canon

Canada, 1964 (MIFF 1965)

Director: Norman McLaren, Grant Munro

Norman McLaren at his inventive best, explains and illustrates in visual terms the musical form of the canon.

See also...

Synchromy

In Synchromy, there is an absolute parallel between sound and image: what is seen on the screen at any moment is the image or images that are creating the sound. For the eye and ear of the viewer the ... More »

Neighbours

Possibly McLaren's best known film, it is a film without words to show the futility of violence for settling quarrels. This Cold War parable depicts two neighbours who tolerate each other until a ... More »

Short and Suite

The film is an expression of a mood, a heady recollection of an evening on the town rendered in rhythmic flights of light and colour. The alternation of the music's mood - gay or sad - is echoed by ... More »

Rhythmetic

Animation artists Norman McLaren and Evelyn Lambart endow the subject of arithmetic with lively humour as numerals indulge in unprecedented antics. Attention is focussed on what numerals do in ... More »

Opening Speech

McLaren appears on a stage but cannot make his planned speech on account of a feisty, bad-tempered microphone that finally has him chasing it around the stage. Befitting a cartoon sketch, McLaren ... More »

Serenal

Norman McLaren salutes the West Indies, etching and painting the spirit of fiesta - fireworks and all - in response to an Island tune. ... More »

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