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Canon

Canada, 1964 (MIFF 1965)

Director: Norman McLaren, Grant Munro

Norman McLaren at his inventive best, explains and illustrates in visual terms the musical form of the canon.

See also...

Opening Speech

McLaren appears on a stage but cannot make his planned speech on account of a feisty, bad-tempered microphone that finally has him chasing it around the stage. Befitting a cartoon sketch, McLaren ... More »

Narcissus

Norman McLaren's 59th film, which opened the 1983 World Film Festival in Montreal, is one of the most ambitious in his ... long career, which started in 1933. The film is based on the Greek myth of ... More »

Mail Early

McLaren's first film for the NFB was this publicity clip for Canada Post. Non-abstract symbols drawn with pen on clear 35mm stock were superimposed on a painted background. ... More »

TOUR EN L'AIR

'Tour en I'air' is a ballet term meaning a complete single, double or trlpie turn in the air. The film presents Anna Marie and David Holmes, Canadian ballet team (earlier seen in Norman McLaren's ... More »

Boogie Doodle

One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to ... More »

Lines Vertical - Lines Horizontal

Lines in pure design — an attempt by Norman McLaren to create art interesting pattern entirely from straight lines engraved directly on plain black film. ... The effect in is of decorous ballet ... More »

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