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Canon

Canada, 1964 (MIFF 1965)

Director: Norman McLaren, Grant Munro

Norman McLaren at his inventive best, explains and illustrates in visual terms the musical form of the canon.

See also...

Rhythmetic

Animation artists Norman McLaren and Evelyn Lambart endow the subject of arithmetic with lively humour as numerals indulge in unprecedented antics. Attention is focussed on what numerals do in ... More »

Ballet Adagio

After the brilliant cinematic experiment of Pas de Deux, Norman McLaren once again films dancers - this time slowing down their movements to a quarter of their speed in reality. The original ... More »

Synchromy

In Synchromy, there is an absolute parallel between sound and image: what is seen on the screen at any moment is the image or images that are creating the sound. For the eye and ear of the viewer the ... More »

Blinkety Blank

Arabesque-like images flash upon the screen, then suddenly disappear. An impression remains in the viewer's eye, like the burning of a bright light after it has been extinguished. A work of pure ... More »

Spheres

Norman McLaren continues his investigations into the possibilities of animated film with his latest film. Spheres, his first film since Pas de deux, is set to music of Bach fugues. The illusion of ... More »

Hen Hop

Geometric shapes build to the form of a hen. To the tune of old-time waltzes a hen, now a leghorn, then a Plymouth Rock, later a simple egg with feet, dances and reels. This McLaren-designed ... More »

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