Select a festival
Search The Film Archive
Browse By Director


France / Italy, 1960 (MIFF 1965)

Director: Jacques Demy

Lola is a fable about the different kinds of love, and one of its chief joys is in watching it work itself out, slowly, iineluctably, and above all, elegantly. Lola herself is a cabaret girl; she takes what passes for love lightly, but dreams that one day her first lover will return to claim her and her son. Revolving around Lola are other characters, some never meet, but each reflects qualities common to the others. These people — a widow, her daughter, a Saftot, a man in a white ear — and the events in their lives are meticulously interwoven with sensitive illusions, half-felt, half-noticed.

Jacques Demy has dedicated Lolar his first feature, to Max Ophuls, and from the start he has used references to films outside his own to give meaning beyond immediate appearance. There are episodes reminiscent of Vigo and Uecfcer, but throughout, the director's highly personal, flexible and daring craftsmanship is in evidence. As with the story's narrative method — bringing three periods of time together into a single spaitial continuity — Demy has broken the rules with inpunity. He has also elicited the performance of her career oul of Anouk Aimee.

There seems little question thai we are witnessing the arrival of a new major talent, who has already proved himself with his three films, Lola, Bay of the Angels and The Umbrellas of Cherbourg.

See also...


Belgium, France, 1986
“Like Jacques Demy on speed.” - Time Out ... Chantal Akerman's candy-coloured musical is set entirely in a Parisian shopping mall, in an unashamed celebration of 80s French pop, young love and fr… More »


France/Belgium/Switzerland, 1986
Chantal Akerman's Golden Eighties is an exuberant witty tongue-in-cheek musical for the modern age. The inescapable comparison is with the light-opera musicals of Jacques Demy, but Akerman's touch is… More »


France, 1970
As with The Pied Piper which Jacques Demy made in 1971, Peau d'ane is an attempt to bring a fairytale narrative to the screen in as faithful a way to the original as possible, yet subtly reinterprete… More »


France, 1998
"As soon as the office cleaners break into song, there's not a shadow of a doubt where Jeanne and the Perfect Guy is coming from. Shades of Jacques Demy's colourful tuners hang lightly on the shoulde… More »


Italy, 1999
Evoking the melodramatic musicals of Jacques Demy, Passionate Women, the wonderfully inventive new film from veteran director Tonino De Bernardi. With virtually all the dialogue sung by the protagoni… More »

© Melbourne International Film Festival 2013.

Site by MeccaMedialight. Powered by Textstem CMS.