Director: Lindsay Anderson
A Woodfall Films project, Red, White and Zero, was recently abandoned. It was to have been a trilogy with three directors. Now each episode is to be released separately. Lindsay Anderson's contribution was The White Bus, an experimental surrealist document about the interaction between the indifference, loneliness and ineffectuality of a London girl clerk and the contemporary world about her. She is detached but observant. Impulsively, she takes a train carrying a noisy bunch of football revellers back North. She wanders off at her destination and joins a tour in a white bus. Her fellow travellers are a cross-section of humanity.
Anderson (one of Britain's Angry Young Men during the Fifties) takes odd thrusting glimpses of the white busload, and expresses his views on the calibre and quality of modern man.
Jules Dassin's film has been hailed as one of the finest to come out of France in recent years, It is adapted from a novel by Karantzaki, "Christ Recrucified", and is described by Lindsay Anderson as… More »
The story of a day's work at Covent Garden, from the moment when the first lorry arrives in the quiet and shuttered market soon after midnight, through the increasingly busy hours around dawn, until … More »
Wakefield Express was commissioned to celebrate the newspaper's fiftieth anniversary. It tells something of the history and the current operation of the paper and devotes itself to the subjects which… More »
The White Bus was a 45-minute dramatic film directed by Lindsay Anderson and starring Shelagh Delaney. John Fletcher has been a friend and colleague of Anderson since they worked together in the "Fre… More »
"Fighting means commitment, means believing what you say, and saying what you believe. It will also mean being called sentimental, irresponsible, self-righteous, extremist and out-of-date by those wh… More »