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UK, 1968 (MIFF 1969, Programme C)

Director: Don Levy

Herostratus burnt down the temple of Artemis in Ephesus, one of the seven wonders of the ancient world. It was a bid to achieve immortality by some great feat of destruction. That same night, Alexander the Great was born.

Max, an impoverished and unsuccess­ful young poet, seeks a latter-day version of immortality. His feat of destruction is to be self-destruction, but first he must ensure the utmost publicity for the event. He sells himself to a public relations firm by persuading them to exploit his death. But as they begin to build his image, life begins to take on a different complexion. And the trouble is, Max has set other forces in motion. He is no longer in control of his destiny...

In our world, where most aspirations are those of private gain and personal success, there is no place for the legendary heroism of old. Unless you can count that of Dr. Don Levy, an expatriate Australian who spent two years raising the finance for this wildly ambitious first feature. It took nine months to shoot, and most of the unit worked without pay. Now he is teaching film making at an American university.

Levy will be remembered by Festival audiences as the author of that splendid complex documentary shown in 1965, Time Is. Now he employs brutal images, an amplified sound track, improvised dialogue, a daring use of colour, and a black screen as a kind of regulating eye-blink, for a film which is as passionate as it is disturbing, as vital as it is enraged.

Levy knows what few of us can face: that the idealism which can unify a country after a war becomes rapidly displaced by destructive self-interest because it is shallow: the true causes of the war have never been honestly analysed or attacked.

He exposes the inescapable horror underlying the surface of modern life: the spiritual desolation and the traps people construct around them­selves to conceal the desert without. His answer is one that a growing number of people, including the most gifted, are beginning to confront—that of a bid for the survival of human dignity by some majestic feat of destruction in the manner of Herostratus.

See also...

Time Is

The film uses moving forms and colour, integrated with music and words, to illuminate the concept of Time. ... More »


An impressionistic view of contemporary British culture ranging from sculptors and painters to theatre and ballet, and even including sequences on jewellery and fast cars. ... Gold Medal, Barcelona ... More »

The More Man Understands

The film documents the fresh approach to learning in some of Britain's new universities through new courses of study which have been recently introduced. ... More »


A lunatic escapes in a milk van which drops him in the midst of a road building team from which he steals a pneumatic drill and starts to dig in the main square of Tel Aviv. Police stop the traffic ... More »


The expression of extremely deep religious emotions is intimately observed in a Negro church. ... More »

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