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THE ELEPHANT GOD

India, 1979 (MIFF 1980, Programme 48)

Director: Satyajit Ray

Each new film by Satyajit Ray brings with it fond memories of earlier privileged moments from this master of cinema. Ray has now been at the height of his powers for some years, and his work in the seventies displays a mixture of humanity, grace and beauty that has led him to be compared with Chekhov and Mozart. Certainly, there is a similar mastery in creating and developing complex ranges of human experience. And in film terms he is one of the few creators who do everything equally well: scripting, photographing, directing actors, editing and composing the music.

His latest film The Elephant God further develops characters that Ray first introduced in his 1974 film The Golden Fortress. The leading character is an Indian Sherlock Holmes called Feluda, who is accompanied by a teenage "Dr. Watson". They investigate the mysterious theft of a valuable gold statuette of Ganesh (the Elephant God), whilst visiting Benares on holiday. Ray then lays out the plot and clues in easy stages as the detective interviews the suspects.

Gradually the atmosphere becomes more threatening and there are some superb set piece sequences including the pursuit of a suspect through the alleys and tenements of Benares and the satiric scenes on the ghats.

Ray's own music offers some piquant orchestrations that are an additional virtue in this light-hearted and less serious work by an acknowledged master.

Satyajit Ray - Born 1921

Feature films — Father Panchali (1952), Aparajito (1956), The Philosopher's Stone (1 957), The Music Room (1958). The World ofApu (1959), Devi (1960), Two Daughters (1961), Kanchenjungha (1 961). Abhijan (1961), Mar)anagar(1963), Charulata (1964), Kapurush-o-Mahapurush (1965), Nayak (1 966). Chiriakhana (1967), The Adventures of Goopy and Bagha (1968), Days and Nights in the Forest (1969), The Adversary (1970), Company Limited (1971), Distant Thunder (1972), The Golden Fortress (1974), The Middleman (1975), The Chess Players (1977), The Elephant God (1979).

See also...

JALSAGHAR

Jalsaghar is one of the few films made by Salyafit Ray. apart from the great Bengali trilogy about the life of the boy Apu. It leisurely and patientty unfolds Ihe story of the decline of the last ... More »

WORLD OF APU

The third part of the Bengali saga continues the story of Apu, now a young man living in Calcutta and dreaming of a literary career and a positive future. An old friend invites him to a village ... More »

THE HOME AND THE WORLD

In 1905, in keeping with the 'Divide and Rule' policy of India's British overlords, Lord Curzon (the British Viceroy) proposes splitting Bengal into two separate administrative units, intended to ... More »

Monihara

Monihara, a ghost story based on a tale by Rabmdranath Tagore, is told by a dishevelled teacher to a silent, dark-clad figure on a river bank. Phanibhushan, a rich jute merchant, brings his beautiful ... More »

NAYAK

The Hero is one of Satyajit Ray's modern stories, concerned with the life and thoughts of an Indian film star as he travels by train to collect a prize in Delhi. Through dreams and flashbacks, he ... More »

MIDDLEMAN

Somnath is a bright student, but he only gets an ordinary pass in his BA exams. His indifferent results make it difficult for him to get a job. Frustrated by inconclusive interviews, he comes across ... More »

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