Skip to main content

I'LL BE HOME FOR CHRISTMAS

Australia, 1984 (MIFF 1985)

Director: Brian McKenzie

I'll be Home for Christmas cuts through social taboos to explore the subculture of people commonly dismissed as ‘derelicts'. In its portrayal of five homeless men, the film challenges conventional views of alcoholism and homelessness by depicting these men as members of a social network with a highly developed sense of mutual concern and camaraderie. The film also examines the interaction these men have with organised society. Four of the men have been the core of a shifting group who live in and around the parks of North Melbourne. When filming started, their home was a box by a tram track where weekend cricketers kept their equipment. The men used support institutions (to varying degrees), this depending on their health, the weather, and how independent they wished to remain. The fifth man, Frank Pardy, is in his seventies, frequents the same area, but his routine is subject to the scheduled operation of Ozanam House, the St Vincent de Paul refuge.

The film is a closely observed and sympathetic study of a particular group in a proscribed social environment its political stance arising from the material. The presence of the film crew is not hidden, nor have comments and questions to us been deleted. More importantly, we have not 'privileged' ourselves in regard to our 'subjects' by any obvious exercise in expiation, or commitment and concern which rarely extends beyond the shooting period. Rather, we recognise our inevitable functions as representative of the social chain - from welfare institutions to hospitals, to government departments, to the media - which, in making a living out of these men, establishes and perpetuates the social order which needs such figures, as symbolic failures, to 'prove' its own success.

- Brian McKenzie & John Cruthers

See also...

PAT AND EDDY'S GREYHOUND RACING FAMILY

Pat and Eddy's three teenage children, Bradley, Michelle and Darren are growing up not necessarily according to Pat and Eddy's wishes. Their time is taken up with cars, boyfriends, musical ambitions ... More »

MISTER BISCUIT

Brian McKenzie has fashioned a deeply personal docu­mentary about Noel Mason, a Melbourne man trying to earn a meagre living as a children's entertainer. Noel is clown/magician 'Mister Biscuit' ... More »

THE LAST DAY'S WORK

Work is becoming more service oriented and more and more services rely upon us doing harm to each other. ... In most people's lives, work operates as a degrading and debilitating force. It disables ... More »

STAN AND GEORGE'S NEW LIFE

It's Stan's 40th winter, and he hasn't yet achieved anything he can be proud of. He still lives with his parents, working in the barber shop like his father before him. Business is not exactly ... More »

PEOPLE WHO STILL USE MILKBOTTLES

This film uses archival footage and interspersed interviews to look at the dairy industry and its products, but only as a backdrop, as a social indicator in a society thirsty for modernity ... More »

WITH LOVE TO THE PERSON NEXT TO ME

Wallace is a taxi driver who lives in a small flat in a Melbourne bayside suburb. With the aid of a micro-recorder, he tapes the stories passengers tell him in the cab. Their willingness to discuss ... More »

Select a festival
Search The Film Archive
Browse By Director