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France, 1986 (MIFF 1987)

Director: Leos Carax

A youthful, anarchic film from 26-year-old French director Leos Carax, a crime thriller that turns into a tale of unrequited love.

"Paris, a few years before the beginning of the 21st century. Nothing's really changed (the water, the bridges, a few trees, the stars...) except for the carriages on the underground, which are now red; the hot sultry nights (a comet is approaching the earth) and mankind is threatened by a new fatal disease, STBO. A boy, recently orphaned, decides to start a new life elsewhere. He wants to disappear and leave nothing behind, not even a fingerprint on his girlfriend's body. He is not only an orphan but also a criminal, because in order to leave he agrees to commit a theft for a certain couple in exchange for a large sum of money. The man was a friend of his father's. As for the women he falls in love with her. But that's not why he is betrayed." Berlin Film Festival Programme

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“In many ways [Carax's] most purely delightful work - bittersweet, haunting, and as original and eccentric as homage movies get, infusing arch neo-Godard poetics with grace notes cribbed from ... More »


This vivid, visceral journey through the vagabond experience is one of the classics of early 90s French cinema. ... Pont Neuf, the oldest bridge in Paris, provides the setting for this alternative ... More »


“Shot in luminous black and white, Boy Meets Girl moves with the youthful, anarchic spirit of Godard's early work, endlessly detouring through surreal comedy, romantic philosophizing, and ... More »


“Represents everything that cinema ought to be: poetic, unpractised in following convention and filled with mystery.” - Screen Comment ... Leos Carax has been doing audience's heads in since his ... More »


Leos Carax's feature debut is a moody, offbeat tale arousing considerable controversy wherever it has screened - a paradoxical film where innovation and tradition confront each other mercilessly from ... More »


“A noisy epic swirl of breast-beating, hair-tearing angst and portentous symbolism.” - New York Times ... Ever the champion of creative cinematic experiences over traditional structures and ... More »

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