Director: Nagisa Oshima
Oshima, the celebiated director of Boy, the Ceremony, and Diary of a Shinkuju Thief, probes the effects of the USA occupation on the indigenous culture of the inhabitants of Okinawa, and explores the guilt feelings of the Japanese about the island, which remained under foreign control until 1972.
Sunaoko, a fourteen-year old girl, with her music teacher, Momoko as chaperone, journeys to Okinawa from Tokyo in search of her brother Tsuruo Their tounst guide, a young hippy who attracts Momoko's attentions, turns out to be Tsuruo, a fact which Momoko attempts to keep from her charge. The processes of concealing and seeking the truth in this affair are linked with the arrival in Okinawa of a Japanese, stricken with guilt at the suffering his people have caused those on the island He is seeking out the means to his own death and thus he believes, to the expiation of his sense of guilt.
An itinerant family of four makes a living by faking road accidents as pedestrians, with the drivers of expensive cars as victims. The game is to claim indemnity from the driver in the hope that he w… More »
Shohei lmamura has been making films in Japan for nearly two decades and it is only further evidence of the West's near complete ignorance of Japanese art and artists that his work has barely raised … More »
As a result of assiduous research, Levy has uncovered footage from the first films of the masters of documentary: (oris Ivens Olga Alexandrova Vertova, lean Rouch Frederick Wiseman and Nagisa Oshima … More »
A film about a grand passion, an insatiable love based on a real case in Japan concerning the relationship between Kichizo, a married inn-keeper, and Sada, a serving girl Their brief and intense affa… More »
Nagisa Oshima, in his companion piece to his celebrated Empire of the Senses, once again turns to the subject of passion and death, and once again, to a real happening — this time taking place … More »