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Australia, 1974 (MIFF 1976)

Director: Paul Winkler

Using experimental camera techniques, the film expresses the explosion of pent-up emotions relating to the coming out of the Australian Aboriginal from Dreamtime to Action-time.

See also...

Rotation

Rotation continues Paul Winkler's graphic representation of traumatised space. The architecture of rotation is like a series of colourful mobile postcards. The foreboding film noir sound collides ... More »

Shooting Arrows

Paul Winkler (Popkitsch, MIFF 07), one of Australia's most uncompromising experimental filmmakers, returns with his 16th film in MIFF - a lyrical montage of juxtaposed street-art images, set on ... More »

Traces

An experimental film exploring the relationship between Time and the traces it leaves on the world in cinematic terms: the 29 minutes running time of the film is opposed to the images embedded in the ... More »

Elevated Shores

This new work by former Erwin Rado award-winner (Long Shadows, 1992) is a masterpiece of over a decade's worth of concentrated experimentation into the boundaries of possibility in optical printing ... More »

Long Shadows

The red-washed openmg passage of Paul Win­kler's new him is mesmeric, it is almost numb­ing, the Long Shadows of its title could be those of a sunset, those at the last daylight of time They ... More »

Facades

Facades: "The frustration of mankind at traffic lights" - standing in the thick of traffic in any main city trying to cross a street is a daunting task. Traffic and tension can be enormous. The ... More »

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