Director: Norman McLaren
In the canon a melody begun by one voice or instrument is echoed by another, beginning one beat or several measures later than the one before. In this film, McLaren illustrates the principle of the canon.
Premiered at Cannes Film Festival, The Best of Norman McLaren contains 11 of McLaren's most impressive, short, animated films - carefully restored by the National Film Board of Canada and transferred… More »
A short account of the work of Norman McLaren and some of his unusual techniques. ... More »
A surrealistic abstract with an unusual sound track consisting of synthetic sound in conjunction with music for saxophone. ... More »
A parable in which McLaren uses people and natural backgrounds, as well as a few drawn ones, for the first time. Sound is drawn direct on to the film. ... More »
One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to m… More »