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USA, 1990 (MIFF 1990, Documentaries)

Director: Mark Kitchell

This film is one of the first comprehensive looks at the student movement of the 1960s as seen from the Berkeley campus. A small student movement becomes a cause celebré when the House Un-American Activities shows a film on campuses across the country about the "communist spies" on the Berkeley campus. Far from having the desired effect, students from all over the country flock to Berkeley to get in on the revolution.

Through interviews and archival footage, the film shows the development of the Free Speech Movement, Civil Rights demonstrations, sit-ins, arrests, riots, the rise of the Black Panthers and the anti-war movement. Director Kitchell also focuses on the mistakes, indiscretions and misjudgements of the students. Familiar faces, now looking impossibly young also appear: Joan Baez and Allen Ginsberg, among others. Sometimes bloody, the film also shows the humour in the revolution. A Black Panther relates how he and his colleagues raised money to buy weapons by buying Mao's Little Red Book in Chinatown for twenty cents and selling the copies on the Berkeley campus for a dollar "We didn't even read it, man!"

Berkeley In The Sixties is instrumental in illustrating how society and government has been shaped since the sixties. Indeed, one of the "stars" of the film, the then governor of California Ronald Reagan, has certainly gone places since denouncing students for having parties at which "rock'n'roll bands play and movies are shown on two screens at the same time!"

Other key figures however have kept the flame of their activism burning. The great achievement of this epic doco is to counter the popular notion that 60s counter-culture amounted to nothing. Kitchell finds his subjects as politically active today as they were over 20 years ago - only the size and scope of their interests have changed.

- Best Documentary, 1989 Park City Festival
- Audience Award, 1990 United States Film Festival

See also...


Ireland/UK/Australia, 1990
Behind The Mask is a unique collaborative production commenced in London, shot in Belfast and completed here in Melbourne. The film initially started life as a project to be made for British televisi… More »


USSR, 1988
If perestroika seems slow to influence Soviet features, its effect on documentaries is clear in Black Square, an original and lively look at 20th century avant-garde painting in the USSR. ... Directe… More »


USA, 1989
Common Threads: Stories from the Quilt is impressive as a singularly moving and sympathetic account of people whose lives have been profoundly altered, or cut short, by AIDS. ... The 75 minute docume… More »


UK, 1989
Men and women offer us an unknown view of World War II. The quality of the 'head shots' approaches the vivacity of Rosie the Riveter. Using in addition archival footage and enacted segments, we are p… More »


USA, 1989
This is an expressive, reflective film that strings together seemingly dislocated stories and events in a provocative, and personalised treatment of the media and its impact on human rights. Arlyck c… More »

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