Skip to main content


Germany / France / Australia, 1991 (MIFF 1992)

Director: Wim Wenders

In the words of Wim Wenders, Until the End of the World is "the ultimate road movie". On a somewhat epic scale, it builds upon many of the themes that have preoccupied Wenders throughout his remarkable career.

Filmed in fifteen cities in eight countries and four continents, it centres on a romantic search and a technological mystery. It is 1999 and Claire (Solveig Dommartin) and Sam (William Hurt) play a cat-and-mouse game across the globe. Claire suspects that Sam, an elusive, ambiguous figure who is possibly an industrial spy, has stolen something she had. Their furtive chase ends in the Australian out­back. Here, in a desolate, ancient landscape, a scientist (Max von Sydow), is about to realize his life-long dream; to give sight to his blind wife (Jeanne Moreau).

Wenders first envisaged the project during a visit to Australia in 1977, when he was struck by the landscape and the impending dangers of nuclear catastrophe. As the proj'ect evolved, so did its focus. For Wenders, it seems, the danger of nuclear disaster has been displaced by the development of image-making technol­ogy. The ability to infiltrate a person's mind, to control their interior images and dreams, became for Wenders an ominous metaphor for the visual culture of our times.

Wenders has always paid great attention to the soundtracks of his films, and this one is certainly no exception. Entirely commissioned by the filmmaker, its vast array of performers and styles is sure to carry the film well into the next century...even if by then we will be watching movies through remote control.

See also...


Two men cross the middle of Germany, from Luneburg to Hof along the East German frontier. Bruno travels in a moving van that he uses to camp in; he is a projectionist and repairs movie equipment ... More »


The heroes of the film are angels, unemployed guardian angels who have been hanging around Berlin ever since the end of World War II, having lost most of the powers they once owned: to whisper advice ... More »


German director Wim Wenders was represented at iast year's festival by The Goalkeeper's Fear of the Penalty Kick. His later film, Alice in the Cities, is a chronologically ordered film about an ... More »


"Wim Wenders' new pic is almost a compendium of the director's lifetime themes and obsessions - American trash culture, a fascination with what's cool on the music scene and a story in which lost ... More »


Young Wilhelm Meister is on the way: from Bonn, past a castle on the Rhine, through a suburb of Frankfurt and on to the great mountain, the Zugspitze. He is escaping from boredom and dullness, and he ... More »


1982 inaugurated a series of events in Rome, organised by a group of die hard cinephiles who clubbed together in a co-operative called Mission Impossible. Their aim was to ask a variety of filmmakers ... More »

Select a festival
Search The Film Archive
Browse By Director