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STATIONS

Canada, 1983 (MIFF 1992, Spotlight MacGillivray)

Director: William MacGillivray

Bill MacGillivray's first feature, little appre­ciated at the time of its release and previously unseen in Australia, is a small gem. Stations is a road-movie-on-rails that replaces the cliches of the genre with a choughtful gaze, as a seemingly successful man in his early thirties has cause to consider the direction of his life.

Tom is a successful television journalist whose career suddenly fumbles when a docu­mentary he is making on the question of failure leads to the suicide of one of his closest friends. After an imposed vacation he is assigned a more grass-roots story, which involves taking the train coast-to-coast to capture aspects of the Canadian identity, interviewing the 'average' Canadian at whistle stops across the country. As a chapter of Canadian history has closed with the gradual disappearance of the railroad, so too for Tom, who by the time he reaches Newfoundland, has- reached the end of an epoch in his fife.

Stations clearly signals the major preoccu­pations to be found in MacGillivray's later work — characters seeking to clarify and take charge of their lives; the quest for Canadian national and regional identities; the impact of modernization; and the interaction of art and life in 'daily use'. Quite ahead of its time, Sta­tions employs the self-reflexive use of images (television, video, Polaroids, home movies, etc.) to understand and articulate personal his­tories and comment on the action. With its fragmented narrative, existential concerns and meditative modalities; Stations is reminiscent of early "Wim Wenders and surprisingly mature for a first feature, while its explorations of identity, memory and the relationship between the individual and landscape are qumtessentially Canadian.

See also...

UNDERSTANDING BLISS

... ... With Understanding Bliss Bill MacGillivray returns to the emotional terrain and sheer filmmaking passion of Life Classes, bring­ing forth a new story about the power art has to transform ... More »

LIFE CLASSES

... ... Life Classes stands as the definitive 'life-trans-formed-by-art movie, and MacGillivray's most fully realized film to date, a gently satirical yet deeply moving portrait of self-discovery ... More »

Portrait of the Artist as an Old Lady

A cameo of Canadian artist, Paraskeve Clark an irascible and often touching Canadian artist, now 81 years old, whose work ... has won her a place in exhibitions and private collections. ... More »

Flamenco at 5.15

The extraordinary dancer, teacher and choreographer,Susana, and her husband, Antonio Robledo, come from Spain to teach flamenco to Canadian ballet students. "You must put your whole being behind it ... More »

VIDEODROME

A densely-plotted, witty, fatalistic horror-cum-morality tale with truly gruesome special effects. A cable TV director becomes fascinated with the hard core sex-and-torture programmes on Videodrome ... More »

Narcissus

Norman McLaren's 59th film, which opened the 1983 World Film Festival in Montreal, is one of the most ambitious in his ... long career, which started in 1933. The film is based on the Greek myth of ... More »

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