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BLUE

UK, 1993 (MIFF 1994, Documentaries)

Director: Derek Jarman

Challenging British director Derek Jarman's final major work has been compared in visual execution to Warhol's Sleep and Empire State. Where it outstrips them both is in the meticulously crafted and impressionistic soundtrack. An amazing aural cut up of voices, Jarman's amongst them, supplemented and punctuated by sound collage and glorious music, this combination of monologue and prose poem is woven together to a lyrical, almost song-like effect. It is this rich soundscape that accompanies the 76 minutes of luminous Technicolor blue! Over the duration of the film the single enveloping colour makes of the frame a combination of canvas, mindscreen and eye. Influenced by the work of French monochromatic painter Yves Klein, Blue is absolutely true to its name, reflecting on the colour and all its connotations: silence, subjectivity and suffering.

There are musings on art and infinity, meditations on life and approaching death, dealing with the director's deterioration in the final stages of Aids; and sound-trips to far off times and places. Deeply personal and sometimes grimly humorous and disturbing, the film doesn't so much move forward as swell around you. Jarman's painful punchlines prevent the work from descending into despair, prompting admiration when slipping in quips like, "the Buddha instructs me to walk away from illness, but he was never attached to a drip."

By fleeing what it calls "the pandemonium of images", offering only the blue screen on which spectators project their own image, we learn to stop looking and start listening instead. With his cinema of love, his cinema of limits, blue is the colour of all of Jarman's passions. It is also the colour of mortality.

"Do not go gentle into that good night.
Rage, rage against the dying
of the good light."
- Dylan Thomas

See also...

WITTGENSTEIN

Jarman has once again created a lush and visually stunning canvas, that explores the life and key ideologies of one of this century's most influential philosophers, Ludwig Wittgenstein. This latest ... More »

T.G. Psychic Rally in Heaven

T. G. Psychic Rally in Heaven marries abstract images of a performance by Throbbing Gristle with the ferocity and intensity of their music to brilliant effect on both eyes and ears. ... More »

EDWARD II

Anyone who has followed with interest the films of Derek Jarman will find cause for dehght m Edward II It seems to be the culmina­tion of everything the bold British director has been toying with ... More »

IN THE SHADOW OF THE SUN

Set designer, art director and maker of the highly successful Sebastiane. Jubilee and The Tempest. Derek Jarman has recently returned to Super 8 to produce his new films. Using a combination of old ... More »

THE LAST OF ENGLAND

Shot during the summer and autumn of "last year", this mesmerising trip into contemporary Britain's apocalyptic non future presents what is possibly filmmaker Jarman's most personal film to date ... More »

THE ANGELIC CONVERSATION

Derek Jarman is best known in Australia for his more "mainstream" features (Sebastiane, Jubilee, and The Tempest) and as production designer on Ken Russell's Savage Messiah and The Devils. He has ... More »

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