Director: Stan Neumann
At the time of the revolution, Paris was still Medieval. Centuries later it was a 'model city', the yardstick by which other European cities were judged. On the occasion of the death of Baron Haussman, Francis Loyer, an art historian turned himself detective and combed the city for details that were so familiar they were no longer seen: a wooden shutter, an angle of the street, a carving on a facade. 'Haussman-ism' is often regarded as a sort of urban vandalism preceding the great modern devastations. This award-winning film gives a visually spectacular sweep over the ciy of Paris.
What does a fence mean to you? Bits of wood and concrete that distinguish one person's property from another? In this case, the definition extends further to encompass the sometimes self-imposed wall… More »
"The true identity of London is in its absence. As a city, it no longer exists. In this alone it is truly modern: London was the first metropolis to disappear ." ... Rather like following literary, a… More »
Concrete City charts City West's development in Pyrmont focusing on the clash between commercial and residential interests. Controversies dealt with include the casino, the heliport, and the destruct… More »
The rigorously experimental Folded Follies is an improvisation on Bernard Ischumi's decon-structionist follies at Pare la Villette in Paris. The structures, which the architect has described as "post… More »
Archival and original footage is mixed to describe architectural, automotive and electronic realms that have shaped the great American nomadic experience. From mobile billboards to karaoke machines, … More »