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Elevated Shores

Australia, 1993 (MIFF 1994, Experimental)

Director: Paul Winkler

This new work by former Erwin Rado award-winner (Long Shadows, 1992) is a masterpiece of over a decade's worth of concentrated experimentation into the boundaries of possibility in optical printing and motorised matte-box techniques. Returning again to Sydney Harbour and its environs, Winkler has pushed cinema form as though it were some atomic experiment to a nearly perfectly controlled and behaved fragmentation of optical particles. Like the dozens of finger-like, splinter-like inlets, and the jagged foundations of the harbour upon which the shore-side city is raised - elevated - Winkler's frame is a constant ravishment of kaleidoscopic cycles. It is of water, of dazzle, of urban featurism fusing into subtropical bush; of a beauty unrivalled in Australian cinema of any sort in recent years. A natural climax to any programme of experimental cinema, only a recuperative darkness can follow the light of Elevated Shores.

See also...

Facades

Facades: "The frustration of mankind at traffic lights" - standing in the thick of traffic in any main city trying to cross a street is a daunting task. Traffic and tension can be enormous. The ... More »

Rotation

Rotation continues Paul Winkler's graphic representation of traumatised space. The architecture of rotation is like a series of colourful mobile postcards. The foreboding film noir sound collides ... More »

Long Shadows

The red-washed openmg passage of Paul Win­kler's new him is mesmeric, it is almost numb­ing, the Long Shadows of its title could be those of a sunset, those at the last daylight of time They ... More »

Faint Echoes

Metaphors explode sometimes. Faint Echoes is concerned with the act of watching and being watched. Crowd scenes from baseball movies are combined with sequences from Triumph of The Will where Hitler ... More »

Capillary Action

Water attraction and repulsion is reconstructed cinematographically by one of Australia's longest standing and most uncompromising experimental filmmakers. The artificiality of nature is made ... More »

Shooting Arrows

Paul Winkler (Popkitsch, MIFF 07), one of Australia's most uncompromising experimental filmmakers, returns with his 16th film in MIFF - a lyrical montage of juxtaposed street-art images, set on ... More »

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