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London Can Take It

UK, 1940 (MIFF 1995, Buried Treasures - Humphrey Jennings)

Director: Humphrey Jennings

Jennings' great wartime work really began with London Can Take It. Along with Watt he made this, the first of the home-front war films to make its mark. A one-reeler shot in haste, the film was of great propaganda value at the time and very successful in England and America. Couched in the form of a dispatch, it tells the story of one night in the first London blitz. What the camera reports (in vivid terseness lit by gun flashes) the commentary underscores with true pathos.

See also...

Words for Battle

Eight minutes of movie magic. We see con­temporary (1941) footage while we hear Lau­rence Olivier recite an idiosyncratic selection of English literature and the Gettysburg Address to the ... More »

The Silent Village

... ... The grimmest in tone of all Jennings' work and essentially a fiction film, The Silent Village is both a memorial and message. ... ... ... The Nazis destruction of the Czechoslovakian mining ... More »

This Is England

This often underrated work is the prototypical Jennings' war film yet its powerful overlay of Beethoven's Fifth Symphony on shots of Coventry Cathedral's wreckage and its climactic defiant battle cry ... More »

English Harvest

... ... Shining with the soft hues of early colour and with Jennings evident love of the English landscape, each shot's composition reflects the classical balance and harmony of the romantic ... More »

Design For Spring

... ... Famous dress designer Norman Hartnell, his 1938 studio and the working world of cut­ters and seamstresses, is the focus of this early Jennings work. it is one in which he uses a colour ... More »

Dim Little Island

The post-war world seemed to have little time or space for Jennings' films. By the end of the turbulent forties, the mood of Britain was changing profoundly, and his cinematic songs of unity and ... More »

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