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MIX-1

Austria, 1994 (MIFF 1995, Experimental)

Director: Dietmar Brehm

Inside a collection of fragments we begin to find the gradual definition of things, spaces, glimpses of a camera an eye looking back at us the scratchy, almost fidgety sounds of a film whirring into life. Brehm fashions an enveloping phenomenological experience from the almost discarded off-cuts from other films, moments which in their marginahty present a film as if from another angle, from a space to the side of most film practice.

See also...

Ãœbung

Brehm's übung (Exercise) started when he picked up an unfamiliar 8mm camera and experimented with shooting into a three part mirror in a simple panning motion. In editing, Brehm discovered that ... More »

Blicklust

Blicklust sets up a perverse dynamic of scientific and sadistic study. Commencing with an elaborate diagram of an eye, the film plummets into an indeterminate shadow world, peering through ruffled ... More »

Blitze

In Blitze, Dietmar Brehm generates a sordid Kuleshov effect, where the face of the voyeur is transformed by what he watches and what he watches is transformed by being watched. The impact of the gaze ... More »

The Murder Mystery

A pornographic-sadistic fantasy of murder in flickering black and white and torn images, The Murder Mystery is thick with the colour of violence. On the minimal soundtrack ocean sounds create an ... More »

Macumba

The Schwarzer Garten is loaded with dangerous connections. Macumba is overtly menacing, connecting ethnographical footage of tribal rituals with 70s black pornography. The montage construction is ... More »

Korridor

Korridor is composed mostly of found footage and Brehm's mirror projections into the preexisting compositions. The filmmaker stalks a neo-gothic gallery of pornographic actors engaged in gloomy ... More »

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