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MIX-1

Austria, 1994 (MIFF 1995, Experimental)

Director: Dietmar Brehm

Inside a collection of fragments we begin to find the gradual definition of things, spaces, glimpses of a camera an eye looking back at us the scratchy, almost fidgety sounds of a film whirring into life. Brehm fashions an enveloping phenomenological experience from the almost discarded off-cuts from other films, moments which in their marginahty present a film as if from another angle, from a space to the side of most film practice.

See also...

Ãœbung

Brehm's übung (Exercise) started when he picked up an unfamiliar 8mm camera and experimented with shooting into a three part mirror in a simple panning motion. In editing, Brehm discovered that ... More »

Party

Using Russian, Japanese and American porn and his own footage. Brehm creates a matrix in which graphic anatomical parts act as the optical lubricant to the sound of someone shaving. On a ... More »

Korridor

Korridor is composed mostly of found footage and Brehm's mirror projections into the preexisting compositions. The filmmaker stalks a neo-gothic gallery of pornographic actors engaged in gloomy ... More »

The Murder Mystery

A pornographic-sadistic fantasy of murder in flickering black and white and torn images, The Murder Mystery is thick with the colour of violence. On the minimal soundtrack ocean sounds create an ... More »

Organics

The last of the Schwarzer Garten series elegantly loops into moments of the earlier works (with the notable exception of Macumba). The ocean sounds from The Murder Mystery bleed into the stalking ... More »

Blicklust

Blicklust sets up a perverse dynamic of scientific and sadistic study. Commencing with an elaborate diagram of an eye, the film plummets into an indeterminate shadow world, peering through ruffled ... More »

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