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The Masks

USA, 1964 (MIFF 1996, Ida Lupino - Director)

Director: Ida Lupino

"Mr. Jason Foster, a tired ancient who on this particular Mardi Gras evening will. leave the earth. But before departing he has some things to do, some services to perform, s some debts to pay and some justice to meter out. This is New Orleans, Mardi Gras time It is also the Twilight Zone"

Lupino's contribution to the ground breaking; Rod Serling series (she was the only woman to direct an episode, and the only person to both star in-The Sixteen Millimetre Shrine-and direct! an episode) is a classic of the genre. Dealing! with the nastier human traits-vanity, cruelty, greed and Ignorance-Lupino's mastery of the mobile camera (her fluid use of crane & dolly shots) and designer William Turtle's makeup, artisry combine to create a memorable paean| to the grotesque. (AH)

See also...

MR GEORGE

... ... An extraordinarily visually inventive tale of ghosts and greed, Mr George follows the 'efforts of a trio of middle-aged parasites to rid themselves of the little-girl heiress left in their ... More »

HARD, FAST AND BEAUTIFUL

... ... No exemplary sports biopic peppered with personal problems and topped with sweet victory, Hard Fast & Beautiful signally refuses to equate life with 'the game'-in this case, tennis. Phenom ... More »

THE HITCH-HIKER

... ... The Hitch-Hiker, considered by many, including Lupino herself, to be her best film, is a classic, tension-packed tour de force thriller about two men (Edmond O'Brien and Frank Lovejoy) in ... More »

THE TROUBLE WITH ANGELS

... ... The Trouble With Angels marked Lupino's return to feature-Film direction after a hiatus of 13 years. Beneath its somewhat dubious subject-a comedy about nuns-Angels, like many of Lupino's ... More »

NEVER FEAR (AKA YOUNG LOVERS)

... ... Carol Williams is a dancer; Guy Richards, her partner/choreographer. The opening se­quences spotlight a series of professional and private celebrations by the about-to-be-married couple ... More »

No.5 Checked Out

In and of itself, No. 5 Checked Out constitutes a compelling case for the viability of the short form in film. Brilliantly acted, superbly crafted, it comes damn close to perfection-a state Lupino's ... More »

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