Director: Edward Yang
Aside from screenings at prestigious international Film Festivals from London and Hong Kong to New York and Toronto, A One and a Two has picked up a slew of awards including Best Director at Cannes 2000 - and has been hailed internationally as one of director Edward Yang's masterpieces. The film is an intimate family drama set in contemporary Taipei: wise, delicate and impeccably performed.
Yang conjures a mesmerising tale of love and regret and the struggle to connect. He opens the film with a wedding, ends it with a funeral and in between follows separate threads - a breakdown, mid-life crisis and infidelity, a child's curiosity and a grandmother's illness - and weaves them into a rich, illuminating whole. By the conclusion of the film, the family of NJ, a middle-class electronics executive, is as familiar as your own.
"In exchange for three hours of your time, A One and a Two will give you more life. As I watched the final credits of the film through bleary eyes, I struggled to identify the overpowering feeling that was making me tear up. Was it grief? Joy? Mirth? Yes, I decided, it was all of these. But mostly, it was gratitude." - A.O. Scott, New York Times
Edward Yang (born in Shanghai, 1947) is one of the most respected of contemporary filmmakers. His subtle style and deft touch have marked him as a cinema master. Yang's work includes Taipei Story (1984), The Terrorizers (1986), A Brighter Summer Day (1991), A Confucian Confusion (1995) and Mahjong (1996).
Taiwan, Japan, 2000
"As I watched... Yi Yi [A One and A Two] through bleary eyes, I struggled to identify the overpowering feeling that was making me tear up. Was it grief? Joy? Mirth? Yes, I decided, it was all of thes… More »
“Yang's angriest and most provocative film, and also probably the one that's elicited the most anger from viewers, especially in the West.” - Chicago ReaderConsisting of seemingly disparate story… More »
“The film suggests that we all have our ways of ‘terrorizing' each other, and that we'd all like our lives to be as coherent and resolved as fiction. Yang reaches high, and his aim is true.” - … More »
"Sleek, chic and hysterical, the film owes more to Preston Sturges than Michelangelo Antonioni." - Cinematheque Ontario ... Set over a couple of frenetic days in a Taipei entertainment corporation, A… More »
"This film is so uncommonly good that Yang's other very impressive works pale beside it." - Chicago Reader ... Often spoken of in terms of ‘genius' and even ‘one of the greatest films ever made',… More »