Director: Suzanne Osten
Wedged somewhere between Italo Calvino's /f on a Winter Night a Traveller and Woody Allen's The Purple Rose ol Cairo, Osten's Mozart Brothers plays with, and stretches to true comic effect, questions of the creative process. Bordering on farce, but with rigour and discipline, the story's anti-hero, Walter (Etienne Glaser) is a theatre director who announces "I hate opera!"—then proceeds to dictate the sets, impose the plot and tell the orchestra what to do.
In the process of a contemporary staging of Mozart's Don Giovanni, Walter's method is one of deconstructing in order to reconstruct. Every aspect of Ihe opera is open for negotiation, and everyone— including a brief 'apparition' of Mozart himself—puts in their two cents worth. Parallels between the director and his lead character become apparent and ironic, and when a documentary maker turns up to make a film about the director, The Mozart Brothers shifts gear into classic film-within-a-film.
In 1990 stage director Peter Sellars shocked the opera world by staging three Mozart operas in typically contemporary American settings. The three operas toured worldwide and were filmed in 1991, the… More »
Unlike other Mozart operas, the action of Don Giovanni is played out in a brief 24 hour period. It has its fair share of doors slamming and women running through corridors dragging long skirts—… More »
Glamourous and gritty, Hell for Leather is anything but conventional opera on film. Dominik Scherrer revisits Ihe classic tale of Satan's fall from Heaven. Filmed on location in London's East End, Sc… More »
Bergman's interpretation of Mozart's The Magic Flute spins a tale as ethereal and timeless as Shakespeare's Midsummer Night's Dream. Tamino (Josef Kostlinger) is a knight of pure spirit, enticed by t… More »
Jean-Pierre Ponnelle's Marriage of Figaro remains one of the definitive examples of the genre. A bold and ambitious production, Ponnelle made no compromises with this live staging. Following the acti… More »