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BUENA VISTA SOCIAL CLUB

Germany / USA, 1998 (MIFF 1999, High Voltage)

Director: Wim Wenders

Ry Cooder and Win Wenders have known each other for 20 years. Cooder wrote the haunting music for Wenders projects Paris, Texas (1984) and The End of Violence (1997). In 1996 he brought a band to Havana's Egram Studios to cut an album that went on to win a Grammy. Two years later, the band were back in the studio to record another album—this time accompanied by Wenders and cinematographer Joerg Widmer.

See also...

THE MILLION DOLLAR HOTEL

"Wim Wenders' new pic is almost a compendium of the director's lifetime themes and obsessions - American trash culture, a fascination with what's cool on the music scene and a story in which lost ... More »

WRONG MOVEMENT

Young Wilhelm Meister is on the way: from Bonn, past a castle on the Rhine, through a suburb of Frankfurt and on to the great mountain, the Zugspitze. He is escaping from boredom and dullness, and he ... More »

UNTIL THE END OF THE WORLD

... ... In the words of Wim Wenders, Until the End of the World is "the ultimate road movie". On a somewhat epic scale, it builds upon many of the themes that have preoccupied Wenders throughout his ... More »

WRONG MOVEMENT

Young Wilhelm Meister is on the way: from Bonn, past a castle on the Rhine, through a suburb of Frankfurt and on to the great mountain, the Zugspitze. He is escaping from boredom and dullness, and he ... More »

THE GOALKEEPER'S FEAR OF THE PENALTY KICK

Joseph Bioch is the goal-keeper, and in the film's opening sequence he fails to save a penalty kick. He departs suddenly from the ground and we follow his actions through a series of short scenes. He ... More »

ALICE IN THE CITIES

German director Wim Wenders was represented at iast year's festival by The Goalkeeper's Fear of the Penalty Kick. His later film, Alice in the Cities, is a chronologically ordered film about an ... More »

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