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USA, 2013 (MIFF 2013, International Panorama)

Director: David Gordon Green

"An odd little gem of a movie." - Hollywood Reporter

In the summer of 1988 two mismatched tent-mates - uptight, introspective Alvin (Paul Rudd) and his girlfriend's younger brother, antsy partygoer Lance (Emile Hirsch) - get a dead-end job repainting lane markers down the middle of a long, fire-ravaged stretch of country highway. Alone in this enchanting, isolated landscape where time appears to hold little meaning, this odd couple develop an unlikely but ultimately warm friendship.

Shot over 16 days to capture the aftermath of a wildfire at Bastrop State Park in Texas, Prince Avalanche signals a return to indie form for director and MIFF favourite David Gordon Green, more in keeping with his early films All the Real Girls (MIFF 2003) and George Washington (MIFF 2000). A loose remake of the Icelandic film Either Way by Hafsteinn Gunnar Sigurðsson, Prince Avalanche is a comic and melancholic study of loneliness, fraternity and masculinity.

Winner of the Silver Bear for Best Director at the Berlinale.

D/S David Gordon Green P Lisa Muskat, Derrick Tseng, Craig Zobel, James Belfer, David Gordon Green Dist Madman Entertainment TD DCP/2013

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"This hypnotic, poignant and richy imaginative work actually uses the 'I cannot tell a lie' folklore of America's first President as an ironic counterpoint to a stylised tale of lost youth in the ... More »


"David Gordon Green goes Southern gothic. John (Dermot Mulroney) lives in the Georgia backwoods with his two boys - teenage Chris (Jamie Bell) and tiny Tim who sometimes wears a pilgrim hat and ... More »


"In his lyrical second feature, David Gordon Green (George Washington, MIFF 2000) astonishes and delights with the distinctiveness of his cinematic voice and the depth of his genuine, contoured ... More »


“A naturalistic and decidedly harsh glimpse into tangled, everyday lives.” - Hollywood Reporter Snow Angels spans three relationships at three different stages and culminates in two gunshots that ... More »


"Fusing the anti-corporate paranoia of ‘70s thrillers like The Parallex View with a more modern, post-Occupy sensibility, [The East is] a triumph: smart, notably uncondescending, utterly ... More »


"This bittersweet ode to the moment of childhood's end builds quietly to a pitch-perfect finale." – Variety ... For Sutter, a charming high-school senior and budding alcoholic, the now is ... More »

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