THE GOLD DIGGERS

UK, 1983 (MIFF 2017, Sally Potter)

Director: Sally Potter

Sally Potter’s debut feature film stars Julie Christie on a quest to find the truth about the nature of money, in this examination of the origins and currents of power.

Celeste (Collette Laffont) works in a bank as a computer clerk and has become fascinated by the relationship between gold and power. Ruby (Julie Christie) is a film star eager to explore her identity. As their quests become entangled, the two women come to realise that there is a link between feminine beauty and the masculine obsession with economic supremacy.  

Made with an entirely female cast and crew, this entrancing film is reminiscent of the tableaus of Bertolt Brecht and the black-and-white artistry of Ingmar Bergman. Even more striking is the way the film draws from and swiftly critiques the imagery and concerns of classical Hollywood cinema, and illustrates a hypothesis on the way femininity is constructed on screen that came to influence and define feminist cinema of the 1980s.

'A feminist sci-fi musical extravaganza … Remains consistently fresh and unpredictable.' – Sight and Sound


See also...

ORLANDO

Gender, time, class, one’s place in the world: everything is flexible in Sally Potter’s stunning second film, including Tilda Swinton’s triumphant lead performance. ... In an actor/director pairing th... More »

RAGE

A murder investigation during a New York fashion show causes a host of fashionable characters – Jude Law and Dame Judi Dench heading an outstanding cast – to spill their darkest secrets in Sally Potte... More »

THE MAN WHO CRIED

'A heartbreaking counterpoint to big war spectacles, beautifully performed by Christina Ricci, Cate Blanchett, Johnny Depp and John Turturro.' – Associated Press ... When Sally Potter examines history... More »

Jerk

Shot one frame at a time, three faces – including a brother and sister – become one. ... More »

Thriller

A classic of feminist film theory, Thriller is Sally Potter’s deconstruction of Puccini's La Boheme, flipping the familiar trope of ‘woman as victim’ on its head. ... Mimi, Puccini’s doomed heroine, i... More »

YES

Joan Allen, Sam Neill, Simon Akbarian and Shirley Henderson star in Sally Potter’s rhythmic rumination on love, culture and class – a response to September 11, and one of the most divisive films of he... More »

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