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Programme 35

A Potter's World - Bernard Leach (John Read, 1961)
A film about the life and work of Bernard Leach, now in his seventies, who makes his own pottery in St. Ives, Cornwall. Leach, an artist-philosopher who is keenly aware of the deep relationship betwe… Read more

Approach to Art Teaching (M. Otton, 1961)
This film reveals the system of art teaching developed by the N.S.W. Education Department, which aims at keeping the children's work steadily developing in creativity and technique as they move from … Read more

Blood of a Poet (Jean Cocteau, 1930)
Le Sang d'Un Poete was commissioned by Vicomte dc Noailles, an enterprising patron of the twenties who also provided the money for L'Age d'Or. Never, perhaps has any other man produced two such infla… Read more

Buzz Wray and his Telephone (J. Wayne Sterloff, 1980)
This is "the first film ever to use the Aniscope Process, a newly invented system of comic-book-like animation originating from live-action footage". Th estory is set in a distant and eclectic future… Read more

Histoire du soldat inconnu (Henri Storck, 1932)
Storck's film - a minor classic - uses a montage of newsreel material to give an evocative portrait of the post World War I era, and gives a frightening prophetic picture of the inevitability of the … Read more

L'homme Seul (Patrick Ledoux, 1963)
Using skilfully edited archive material, the film examines some facets of Nazism and the resistance to it. ... Jury Prize, Tours Festival; Grand Prix, Bergamo Festival; Prize of the Catholic League, … Read more

LA LA, MAKING IT IN L.A. (Caroline Mouris, Frank Mouris, 1979)
55 struggling performers — actors, singers, dancers, musicians and comedians — speak directly to the audience about their hopes and dreams in Hollywood. The film is a tongue-in-cheek, yet… Read more

MIRROR OF MAN (John W. Ziegler, 1960)
This hour-long film is a statement on behalf of contemporary art. It presents the movement from the first break with classical form to our art expression of today. Paintings used in the film were sel… Read more

Ned Kelly (Tim Burstall, 1960)
The story of the bushranger, Ned Kelly, is told through the paintings oi the Australian artist, Sidney Nolan, accompanied by a descriptive ballad. ... Read more

Night and Fog (Alain Resnais, 1955)
Resnais has built up his film on a counterpoint of present and past; the horrors of yesterday, shown in black and white, are interspersed with the remains of Auschwitz, filmed in colour. ... The titl… Read more

Stained Glass (Larry Trinkaus, 1979)
Shows the artistic developments of stained glass windows from artist's sketches to finished product. ... Read more

The Bum's Rush (David Grotenstein, 1979)
A comedy with music about the chance meeting of a tramp and a street musician, and their subsequent triumph over their self-imposed isolation. ... Read more

The Pedicure (Max Linder, 1910)
One of Max Lander's most charming comedies; it contains no captions and relies on Lander's artistry which lifts it so highly above its contemporaries. ... Read more

THE TRIBE THAT HIDES FROM MAN (Adrian Cowell, 1970)
Director-producer Adrian Cowell spent two years on an expedition into hitherto unexplored areas of the Amazon, in an effort to make contact with the Kreen-Akrore Indians, one of the few remaining tri… Read more

Under the Black Mask (J. van Raemdonck, 1959)
Based on his art, the film interprets the soul of the negro in The Belgian Congo. ... The material is divided into three parts: "The Birth of Man" covers the life of man, from birth to death, as it a… Read more

© Melbourne International Film Festival 2013.

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