Four participants from this year's Critics Campus - Sam Harris, Eliza Janssen, Claire White, and James Waters - tackle Hirokazu Kore-eda's Shoplifters from four different perspectives.
Desiree Akhavan's The Miseducation of Cameron Post is approached from four different perspectives by MIFF2018 Critics Campus participants Ivana Brehas, Debbie Zhou, Valerie Ng, and André Shannon.
MIFF2018 Critics Campus participant Debbie Zhou considers Lynne Ramsay's breathtaking You Were Never Really Here through the lens of her previous films.
MIFF2018 participant Sam Harris celebrates the work of Joseph Kahn through the release of his latest feature, Bodied.
MIFF2018 participant Eliza Janssen braves the wild, weird world of Nicolas Cage in anticipation of the upcoming Cage-A-Thon!
From the sweaty front row of the MIFF2018 Critics Campus, participant Ivana Brehas writes about Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story
Inspired by Gaspar Noé’s Climax, MIFF2018 Critics Campus participant André Shannon’s video essay looks into the relationship between dance and art film
MIFF2018 Critics Campus participant Claire White goes in for the kill in her review of Cory Finley's luscious Thoroughbreds
James Waters’ debut piece for the MIFF2018 Critics Campus is a deep dive into the work of Chinese auteur Jia Zhangke
MIFF2018 Critics Campus participant Valerie Ng explores the spiritual side of the refugee experience through Gabrielle Brady’s The Island of the Hungry Ghosts and Beatriz Seigner’s Los Silencios.
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