MIFF Blog
Not that Kind of Asian Girl: An Interview with director Hyun Lee
MIFF 2018 Critics Campus participant André Shannon speaks with Hyun Lee, director of the short film Asian Girls screening in the WTF Shorts package.
The Mystery of the Opal: An Interview with Strange Colours director Alena Lodkina
MIFF Critics Campus intern Faith Everard speaks with Strange Colours director Alena Lodkina.
An Elephant Sitting Still – “The World Is A Barren Field”
MIFF Programming intern River Jiang examines the beautiful tragedy of Hu Bo and An Elephant Sitting Still
Landscapes of Trauma: An Interview with Miranda Nation, writer and director of Undertow
MIFF 2018 Critics Campus participant Eliza Janssen interviews the writer/director of the MIFF Premiere Fund-supported Undertow, Miranda Nation.
Burning and the adaptations of Haruki Murakami
MIFF 2018 Marketing Intern Claudia Biaggini takes us through Murakami's Barn Burning and the filmic adaptations of his works.
The Beauty of the Familiar: Hirokazu Kore-eda’s imitations of life
MIFF 2018 Critics Campus participant Valerie Ng takes us through the beautiful everyday moments that take centre stage in the imagery of Hirokazu Kore-eda, director of MIFF 2018 films Shoplifters and The Third Murder
Q&A with UNDERMINED: TALES FROM THE KIMBERLEY Director Nicholas Wrathall
Director of the MIFF Premiere Fund-supported UNDERMINED: TALES FROM THE KIMBERLEY speaks about the unique challenges of making a film in the remote Kimberley region, and the international relevance of the tensions between first peoples and developers.
A Sisyphean Determination: On Terry Gilliam’s struggle with The Man Who Killed Don Quixote
Faith Everard takes us through the plagued production of The Man Who Killed Don Quixote, and explores why this film is one of the most anticipated films of MIFF 2018.
Ode to the Tough Guy: Ryan Gosling and Masculinity
MIFF 2018 Critics Campus Participant Ivana Brehas explores what Ryan Gosling can teach us about masculinity.
Q&A with Acute Misfortune director Thomas M. Wright
We sat down with the director of the MIFF Premiere Fund supported Acute Misfortune to speak about the process of adapting Erik Jensen's memoir and faithfully presenting Adam Cullen on screen.
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