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Michel on Malick: The Disembodied Interview - A Video Essay

MIFF2017 Critics Campus participant Amanda Barbour presents a video essay of her interview with legendary composer, filmmaker, historian, writer and sound theorist Michel Chion.
By Alex | 18 Aug 2017
More Heart than Horror: An Interview with Florian Habicht

More Heart than Horror: An Interview with Florian Habicht

In an interview with director Florian Habicht, MIFF 2017 Critics Campus participant Dominic Ellis looks behind the theme-park frights in the documentary Spookers.
 Alex 16 Aug 2017
 “It’s Really Worth Watching a Whole Range of Cinema”: An Interview with Wendall Thomas

“It’s Really Worth Watching a Whole Range of Cinema”: An Interview with Wendall Thomas

Delivering a series lectures as part of MIFF’s Industry Public Access Events, developer, writer and lecturer Wendall Thomas speaks to 2017 Critics Campus participant Greer Forrester.
 Alex 16 Aug 2017
Not Just a “Woman Director”: An Interview with Gillian Armstrong

Not Just a “Woman Director”: An Interview with Gillian Armstrong

Gillian Armstrong talks Starstruck, High Tide and being a Pioneering Woman in an interview with MIFF2017 Critics Campus participant Faith Everard.
 Alex 15 Aug 2017
The Ashes of a Medium: Anocha Suwichakornpong on the Death and Resurrection of Film

The Ashes of a Medium: Anocha Suwichakornpong on the Death and Resurrection of Film

MIFF2017 Critics Campus participant Kai Perrignon speaks to Thai director Anocha Suwichakornpong about her film By the Time it Gets Dark
 Alex 15 Aug 2017
Song to Song, Four Ways

Song to Song, Four Ways

Four participants from the 2017 Critics Campus tackle Terrence Malick’s Song to Song in these short reviews, with a diverse range of responses.
 Alex 13 Aug 2017
Higher Learning: The MIFF Kids and MIFF Schools Programs

Higher Learning: The MIFF Kids and MIFF Schools Programs

2017 Critics Campus participant Greer Forrester talks to programmer Thomas Caldwell about the MIFF Kids and MIFF Schools programs, and the Kids’ Gala screening of Ash Brannon’s Rock Dog.
 Alex 13 Aug 2017
Let the Sunshine In, Four Ways

Let the Sunshine In, Four Ways

Let the Sunshine is reviewed by four participants from the 2017 Critics Campus, providing a range of different takes on Claire Denis' latest.
 Alex 12 Aug 2017
Going Underground: Celluloid in the Digital Age

Going Underground: Celluloid in the Digital Age

Through Bill Morrison's Dawson City: Frozen Time and Niles Atallah’s Rey, MIFF2017 Critics Campus participant Keva York reflects on the materiality of cinema history.
 Alex 12 Aug 2017
Tetsuo: The Iron Man - A Queer Marxist Reading

Tetsuo: The Iron Man - A Queer Marxist Reading

A video essay by 2017 Critics Campus participant Amanda Barbour explores the queer Marxist possibilities opened up by Shinya Tsukamoto’s Tetsuo: The Iron Man.
 Alex 12 Aug 2017
Pushing Boundaries: The Breakout Films from Pioneering Women

Pushing Boundaries: The Breakout Films from Pioneering Women

The Pioneering Women filmmakers of Australian cinema look into aspects of women’s experiences often ignored by their male counterparts, argues MIFF 2017 Critics Campus participant Faith Everard.
 Alex 11 Aug 2017
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