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MIFF Blog
Michel on Malick: The Disembodied Interview - A Video Essay
MIFF2017 Critics Campus participant Amanda Barbour presents a video essay of her interview with legendary composer, filmmaker, historian, writer and sound theorist Michel Chion.
More Heart than Horror: An Interview with Florian Habicht
In an interview with director Florian Habicht, MIFF 2017 Critics Campus participant Dominic Ellis looks behind the theme-park frights in the documentary Spookers.
“It’s Really Worth Watching a Whole Range of Cinema”: An Interview with Wendall Thomas
Delivering a series lectures as part of MIFF’s Industry Public Access Events, developer, writer and lecturer Wendall Thomas speaks to 2017 Critics Campus participant Greer Forrester.
Not Just a “Woman Director”: An Interview with Gillian Armstrong
Gillian Armstrong talks Starstruck, High Tide and being a Pioneering Woman in an interview with MIFF2017 Critics Campus participant Faith Everard.
The Ashes of a Medium: Anocha Suwichakornpong on the Death and Resurrection of Film
MIFF2017 Critics Campus participant Kai Perrignon speaks to Thai director Anocha Suwichakornpong about her film By the Time it Gets Dark
Song to Song, Four Ways
Four participants from the 2017 Critics Campus tackle Terrence Malick’s Song to Song in these short reviews, with a diverse range of responses.
Higher Learning: The MIFF Kids and MIFF Schools Programs
2017 Critics Campus participant Greer Forrester talks to programmer Thomas Caldwell about the MIFF Kids and MIFF Schools programs, and the Kids’ Gala screening of Ash Brannon’s Rock Dog.
Let the Sunshine In, Four Ways
Let the Sunshine is reviewed by four participants from the 2017 Critics Campus, providing a range of different takes on Claire Denis' latest.
Going Underground: Celluloid in the Digital Age
Through Bill Morrison's Dawson City: Frozen Time and Niles Atallah’s Rey, MIFF2017 Critics Campus participant Keva York reflects on the materiality of cinema history.
Tetsuo: The Iron Man - A Queer Marxist Reading
A video essay by 2017 Critics Campus participant Amanda Barbour explores the queer Marxist possibilities opened up by Shinya Tsukamoto’s Tetsuo: The Iron Man.
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