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“Like a Voyeur Watching a Voyeur”: An Interview with Alex Roberts and Daniel Leclair

Critics Campus 2020 participant Michelle Wang speaks to The Meddler co-directors Alex Roberts and Daniel Leclair about vigilantism, voyeurism and their film subject German Cabrera.
By Michelle Wang | 21 Aug 2020
First Cow, Four Ways

First Cow, Four Ways

Kelly Reichardt’s First Cow is given the critical treatment by four of our 2020 Critics Campus participants: Isabella Mahoney, Bruce Koussaba, Michelle Wang and Jack Rowland.
19 Aug 2020
Mogul Mowgli, Four Ways

Mogul Mowgli, Four Ways

Bassam Tariq’s Mogul Mowgli receives some critical attention from four of our 2020 Critics Campus participants: Angus McGrath, Merryana Salem, Shaheen Ahmed and Annika Morling.
17 Aug 2020
A Labour of Love: The Metamorphosis of Birds

A Labour of Love: The Metamorphosis of Birds

Critics Campus 2020 participant Isabella Mahoney dissects the representations of memory and intimacy in Catarina Vasconcelos’ The Metamorphosis of Birds.
 Isabella Mahoney 14 Aug 2020
Sumptuous Cityscape: Gitanjali Rao’s Bombay Rose

Sumptuous Cityscape: Gitanjali Rao’s Bombay Rose

Critics Campus 2020 participant Shaheen Ahmed joins ABC Radio National The Screen Show presenter Jason Di Rosso to discuss Gitanjali Rao’s Bombay Rose.
 Shaheen Ahmed 14 Aug 2020
Connection Failed: The Echo, Call History, Don’t Forget to Go Home

Connection Failed: The Echo, Call History, Don’t Forget to Go Home

Critics Campus 2020 participant Bruce Koussaba discusses how the themes of disconnection, distance and identity unfold in the short films The Echo, Call History and Don’t Forget to Go Home.
 Bruce Koussaba 13 Aug 2020
High and Dry: Anthony Chen’s Wet Season

High and Dry: Anthony Chen’s Wet Season

Critics Campus 2020 participant Michelle Wang takes a look at the portrayals of loneliness and yearned-for comfort in Anthony Chen’s Wet Season.
 Michelle Wang 13 Aug 2020
Hauntings of Memory: The Past Relived in Playback

Hauntings of Memory: The Past Relived in Playback

Critics Campus 2020 participant Angus McGrath delves into recollection, representation and materiality as seen in Agustina Comedi’s Playback.
 Angus McGrath 13 Aug 2020
Transformation and Self-Destruction in Anne at 13,000 Ft

Transformation and Self-Destruction in Anne at 13,000 Ft

Critics Campus 2020 participant Annika Morling dives into the sensitive, skilful character study that is Kazik Radwanski’s Anne at 13,000 Ft.
 Annika Morling 12 Aug 2020
The Gay Generation Gap in Suk Suk and Ellie & Abbie (& Ellie’s Dead Aunt)

The Gay Generation Gap in Suk Suk and Ellie & Abbie (& Ellie’s Dead Aunt)

Critics Campus 2020 participant Merryana Salem examines the handling of intergenerational LGBTQIA+ issues in Suk Suk and Ellie & Abbie (& Ellie’s Dead Aunt).
 Merryana Salem 12 Aug 2020
Walls of Silence: Outside the Oranges Are Blooming and The Plastic House

Walls of Silence: Outside the Oranges Are Blooming and The Plastic House

Critics Campus 2020 participant Jack Rowland explores the depictions of silence and solace in Outside the Oranges Are Blooming and The Plastic House.
 Jack Rowland 12 Aug 2020
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