From the sweaty front row of the MIFF2018 Critics Campus, participant Ivana Brehas writes about Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story
Inspired by Gaspar Noé’s Climax, MIFF2018 Critics Campus participant André Shannon’s video essay looks into the relationship between dance and art film
MIFF2018 Critics Campus participant Claire White goes in for the kill in her review of Cory Finley's luscious Thoroughbreds
James Waters’ debut piece for the MIFF2018 Critics Campus is a deep dive into the work of Chinese auteur Jia Zhangke
MIFF2018 Critics Campus participant Valerie Ng explores the spiritual side of the refugee experience through Gabrielle Brady’s The Island of the Hungry Ghosts and Beatriz Seigner’s Los Silencios.
MIFF 2018 Critics Campus participant Valerie Ng takes us through the beautiful everyday moments that take centre stage in the imagery of Hirokazu Kore-eda, director of MIFF 2018 films Shoplifters and The Third Murder
Director of the MIFF Premiere Fund-supported UNDERMINED: TALES FROM THE KIMBERLEY speaks about the unique challenges of making a film in the remote Kimberley region, and the international relevance of the tensions between first peoples and developers.
Faith Everard takes us through the plagued production of The Man Who Killed Don Quixote, and explores why this film is one of the most anticipated films of MIFF 2018.
MIFF Accelerator Lab alumna Miranda Nation makes her feature directorial debut with Undertow, a Geelong-shot psychological thriller about grief and obsession set against the backdrop of local footy culture. Miranda sat down with MIFF to discuss the female experience, #MeToo, men's reactions to women's stories, and Geelong's cinematic coastline.
Undertow is a psychological thriller that combines d
MIFF 2018 Critics Campus Participant Ivana Brehas explores what Ryan Gosling can teach us about masculinity.
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