A roundtable discussion dedicated to how we have – or haven’t – changed when it comes to watching, reading, and otherwise consuming film and media since the start of the pandemic.
In this MIFF Talks event, a panel of filmmakers, screen practitioners and critics discuss what it’s like to try and capture current movements, protests and political shifts on both the big and small screens.
A live presentation of the film-soundtrack podcast Art of the Score, dissecting the work of composer Jóhann Jóhannsson (Arrival, Last and First Men).
Drawing from disability scholars, activists and filmmakers, this panel considers the various ways people with disabilities are marginalised both on-screen and behind the scenes, to discuss the way forward and to celebrate the accomplishments of trailblazers paving the way for future generations.
Following the MIFF screening of the NFSA’s digital restoration of Bruce Beresford's 1991 Australian/Canadian co-production Black Robe, Bruce sits down for one-hour conversation about his extraordinary career.
As one of MIFF 2019's Directors in Focus, Peter Strickland visited Melbourne to present his new film, In Fabric, as well as retrospective screenings of his previous films and screenings of classic films that have inspired him. During this special event, he discusses his career, his filmography and his own cinephilia.
Join filmmakers, critics and academics as they explore examples of how Australian cities are represented on film, and imagine what Australian cities on film might look like as our urban populations boom.
The internet has become central to our way of living and social networking is a global revolution. How has the online environment altered the way we behave, relate to each other and understand the world? How has popular culture attempted to reflect, understand and challenge the impact of the online world?
This panel discussion – consisting of experts dedicated to exposing and preventing the human right abuses – continues the discussion Buoyancy begins, with a focus on providing information and strategies to call for transparency and traceability of seafood products in our supply chains.
A panel of critics and filmmakers discuss if there are certain stories that cannot – or should not – be told, except by artists of a particular race, gender or lived experience.