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MIFF Blog
Once Upon a Time in Hollywood is a Blood-Soaked Fairy-Tale that Dares You to Feel Outraged
MIFF 2019 Critics Campus participant Zoë Almeida Goodall explores the complexities of Quentin Tarantino's already-controversial and much-anticipated new film, Once Upon a Time in Hollywood.
The Dead Don’t Die, Four Ways
Four participants from this year's Critics Campus – Luke McCarthy, Claire Cao, Zoë Almeida Goodall and Zach Karpinellison – tackle Jim Jarmusch's The Dead Don't Die from four different perspectives.
Uncompromising Voices: An Interview with Leave No Trace Director Debra Granik
Critics Campus participant Debbie Zhou sits down for a conversation with Leave No Trace director Debra Granik at MIFF 2018.
Burning and the adaptations of Haruki Murakami
MIFF 2018 Marketing Intern Claudia Biaggini takes us through Murakami's Barn Burning and the filmic adaptations of his works.
The Beauty of the Familiar: Hirokazu Kore-eda’s imitations of life
MIFF 2018 Critics Campus participant Valerie Ng takes us through the beautiful everyday moments that take centre stage in the imagery of Hirokazu Kore-eda, director of MIFF 2018 films Shoplifters and The Third Murder
A Sisyphean Determination: On Terry Gilliam’s struggle with The Man Who Killed Don Quixote
Faith Everard takes us through the plagued production of The Man Who Killed Don Quixote, and explores why this film is one of the most anticipated films of MIFF 2018.
How to Watch A Jean-Luc Godard Film in 2018
MIFF 2018 Critics Campus participant André Shannon gives us some tips for the best way to enjoy Jean-Luc Godard's The Image Book.
Song to Song, Four Ways
Four participants from the 2017 Critics Campus tackle Terrence Malick’s Song to Song in these short reviews, with a diverse range of responses.
Let the Sunshine In, Four Ways
Let the Sunshine is reviewed by four participants from the 2017 Critics Campus, providing a range of different takes on Claire Denis' latest.
Twilight to Starlight – The Making of Robert Pattinson’s Career
Rowena Lloyd takes a look at Robert Pattinson's post-Twilight career with some surprising choices in auteur-driven movies.
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