MIFF Blog

 “It’s Really Worth Watching a Whole Range of Cinema”: An Interview with Wendall Thomas

“It’s Really Worth Watching a Whole Range of Cinema”: An Interview with Wendall Thomas

Delivering a series lectures as part of MIFF’s Industry Public Access Events, developer, writer and lecturer Wendall Thomas speaks to 2017 Critics Campus participant Greer Forrester.
Seminars and Masterclasses MIFF 2017 Interviews Critics Campus 66th MIFF
Not Just a “Woman Director”: An Interview with Gillian Armstrong
By Alex | 15.08.2017 |

Not Just a “Woman Director”: An Interview with Gillian Armstrong

Gillian Armstrong talks Starstruck, High Tide and being a Pioneering Woman in an interview with MIFF2017 Critics Campus participant Faith Everard.
The Ashes of a Medium: Anocha Suwichakornpong on the Death and Resurrection of Film

The Ashes of a Medium: Anocha Suwichakornpong on the Death and Resurrection of Film

MIFF2017 Critics Campus participant Kai Perrignon speaks to Thai director Anocha Suwichakornpong about her film By the Time it Gets Dark
66th MIFF Critics Campus Interviews MIFF 2017 Women Filmmakers
Song to Song, Four Ways

Song to Song, Four Ways

Four participants from the 2017 Critics Campus tackle Terrence Malick’s Song to Song in these short reviews, with a diverse range of responses.
66th MIFF Critics Campus Headliners
Higher Learning: The MIFF Kids and MIFF Schools Programs

Higher Learning: The MIFF Kids and MIFF Schools Programs

2017 Critics Campus participant Greer Forrester talks to programmer Thomas Caldwell about the MIFF Kids and MIFF Schools programs, and the Kids’ Gala screening of Ash Brannon’s Rock Dog.
Next Gen MIFF Kids MIFF 2017 Family films Critics Campus 66th MIFF
Let the Sunshine In, Four Ways

Let the Sunshine In, Four Ways

Let the Sunshine is reviewed by four participants from the 2017 Critics Campus, providing a range of different takes on Claire Denis' latest.
Women Filmmakers MIFF 2017 Headliners France Critics Campus 66th MIFF
Going Underground: Celluloid in the Digital Age

Going Underground: Celluloid in the Digital Age

Through Bill Morrison's Dawson City: Frozen Time and Niles Atallah’s Rey, MIFF2017 Critics Campus participant Keva York reflects on the materiality of cinema history.
MIFF 2017 Experimental Critics Campus 66th MIFF
Tetsuo: The Iron Man - A Queer Marxist Reading

Tetsuo: The Iron Man - A Queer Marxist Reading

A video essay by 2017 Critics Campus participant Amanda Barbour explores the queer Marxist possibilities opened up by Shinya Tsukamoto’s Tetsuo: The Iron Man.
Video Essay Sci Fi MIFF 2017 Critics Campus 66th MIFF
Pushing Boundaries: The Breakout Films from Pioneering Women

Pushing Boundaries: The Breakout Films from Pioneering Women

The Pioneering Women filmmakers of Australian cinema look into aspects of women’s experiences often ignored by their male counterparts, argues MIFF 2017 Critics Campus participant Faith Everard.
Women Filmmakers MIFF 2017 Critics Campus Australian Films 66th MIFF
On Dries and Rethinking the Fashion Documentary

On Dries and Rethinking the Fashion Documentary

2017 Critics Campus participant Phoebe Chen strips back the glamour in her look at Reiner Holzemer’s Dries and the fashion documentary.
MIFF 2017 Documentary Critics Campus 66th MIFF
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