Jamie Tak

I research and write. I also work part-time at a cobbler and teach Film and Screen Studies at Monash University.

Instagram: @_jamietak

Letterboxd: @cinebread

Location: Naarm/Melbourne

Movie location I call home: Roger’s bachelor pad in One Hundred and One Dalmatians (1961).

What was the film or experience that made you want to write about the screen? Jeanne Dielman (1975), which was a required screening for a class, and my first time spending three days in three hours.

Why do you think film criticism matters in 2026? Amidst AI’s various flattenings, it’s more important than ever to respond to art through the textures of human experience.

Who is a critic that inspires you? My dad, who usually just nods or shakes his head profusely after a film. An interesting binary system, sincere and unambiguous.

In five words (or less), the future of cinema is: “Cinema is alive! It’s alive!”

What’s the best thing you’ve seen this year so far? The Fabulous Baron Munchausen (1962), a surrealist rococo pop-up book odyssey across the moon and seas. Much to love …

What’s your MIFF 2026 theme music? ‘Match Made in Heaven (천생연분)’ by Solid.