Hope
South Korea’s highest-budget film ever is an utterly bonkers monster action film with a wild climax that you won’t see coming.
Hope Harbour, South Korea, is a small, sleepy town mostly populated by retirees. So what could have gorily mutilated that cow? Police chief Bum-seok (Hwang Jung-min, Deliver Us From Evil) is still scratching his head when kaiju-level devastation descends, sending cars, buildings and people flying. Most local police are off fighting wildfires, so the town’s only hope is Bum-seok, local hunter Sung-ki (Zo In-sung, The Great Battle) and heavily armed rookie cop Sung-ae (played by Squid Game’s Hoyeon in her hilarious, scene-stealing big-screen debut). But what if, amid their overwhelmed scrambling, they’re all missing a far bigger picture?
Ever since his blockbuster debut The Chaser (MIFF 2009), Na Hong-jin (The Yellow Sea, MIFF 2011) has delighted both audiences and critics by mashing up crime, action, horror, fantasy and sci-fi with pitch-black, self-aware comedy. His fourth feature had the biggest budget in South Korean film history, and took 10 secretive years to reach its splashy Competition debut at this year’s Cannes Film Festival. But though Hope is stuffed with jaw-dropping, relentless thrills, perhaps its most audacious stunt is its galaxy-brained use of an almost unrecognisable international cast, including Alicia Vikander (Rumours, MIFF 2024), Michael Fassbender (Kneecap, MIFF 2024), Taylor Russell (Waves) and Cameron Britton (Mickey 17). Experience it in IMAX®, and get ready for your mind to be blown.
“Outstandingly berserk … featuring some of the most breathtakingly elegant action moviemaking of this or any year.” – Variety
Please note: This special event cannot be booked on a pass.
Tickets
For information about the accessible services being offered at MIFF, please visit miff.com.au/access. If you require any access service, such as wheelchair/step-free access, for any MIFF session, please call 03 8660 4888 or email boxoffice@miff.com.au to book your ticket.
You might also like ...
Fresh from Cannes, this knockout historical thriller from genre master Kiyoshi Kurosawa finds mysteries afoot in a castle’s locked rooms.
A stressed-out young doctor suspects hostile jobs are doing something gnarly to her generation. Turns out work doesn’t just suck – it mutates.
Scream queen Maika Monroe plays an unhinged governess terrorising a posh 19th-century family.